历史遗音:在寻找与过程之间——《江南礼俗下的十番锣鼓实地考察研究论文集》叙说

发布时间：2018-06-04 22:47

本文选题：十番锣鼓 + 区域研究　；参考：《音乐艺术(上海音乐学院学报)》2014年04期

【摘要】："江南礼俗下的十番锣鼓研究"是2009年获批上海人文社科哲学基地·中国仪式音乐研究中心课题的项目之一。从2006年至2013年的8年中逐步完成了本科、硕士8篇论文。作者在辅导论文、研读文献以及与学生们相互学习、实地考察的过程中,教学相长,受益匪浅。从十番锣鼓现实存在的情境来看,与民俗文化习惯紧密相连的乐班、乐人受到了前所未有的冲击,强烈依附性的礼俗已经受制于非常小范围。十番锣鼓的兴衰变迁已悄然在日常生活中的常态中处于边缘,失去了强大的社会生活支撑,乐种的存活显然艰难。在当下的江南若干区域与现象中,十番锣鼓的仪式功能、音乐表述产生了哪些变化?民间音乐自身的传承方式如何变迁?在过程之中,也在继续寻找之中。
[Abstract]:The study of Ten Gongs and Drum under the Rites and Customs in the South of the Yangtze River is one of the projects approved by the Chinese ritual Music Research Center of Shanghai Humanities and Social Sciences philosophy Base in 2009. From 2006 to 2013 in the 8 years of gradual completion of the undergraduate, master 8 thesis. In the course of tutoring papers, reading literature and learning from students, the author has learned from each other and benefited greatly. From the perspective of the realistic existence of ten gongs and drums, the music class, which is closely connected with folk culture and customs, has been subjected to an unprecedented impact, and the strong adherence to rites and customs has been restricted to a very small extent. The rise and fall of ten gongs and drums have been quietly on the edge of the normal state of daily life, without strong social support, and the survival of music species is obviously difficult. In the current Jiangnan several regions and phenomena, ten gongs and drums ritual function, music expression has produced what changes? How to change the way of inheriting folk music itself? In the process, also continue to look for.
【作者单位】：上海音乐学院音乐学系;
【分类号】：J609.2

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