泰勒曼《无伴奏小提琴幻想曲》作品及演奏分析

发布时间：2018-07-03 08:56

本文选题：泰勒曼 + 幻想曲　；参考：《上海音乐学院》2012年硕士论文

【摘要】：本论文的研究对象是德国作曲家乔治.菲利普.泰勒曼(Georg Phillip Telemann.1681-1767)的十二首《无伴奏小提琴幻想曲》。本文通过对巴洛克时期音乐特点、小提琴概况、作曲家本人及这部作品风格特征进行介绍；对这部作品的音乐结构、音乐语言进行分析;也以演奏者的角度感性和探究相结合对这部作品的演绎方式(包括演奏技法、演奏风格)进行具体的研究。本文主要由导论、背景资料、音乐特征分析、演绎分析、后记构成。导论：对选题对象、所属范围、理论意义和现实价值做一个梳理。第一章：介绍巴洛克时期的音乐风格及小提琴概况。第二章：介绍泰勒曼的生平及音乐风格。第三章：通过泰勒曼十二首《无伴奏小提琴幻想曲》的文本进行音乐分析。第四章：结合自身实践经验,试谈一些巴洛克时期演奏方式在这部作品当中的应用。结语：做简要的综述。
[Abstract]:The research object of this paper is the twelve "non accompaniment Violin Fantasy" of the German composer George Philip Telemann (Georg Phillip Telemann.1681-1767). This article introduces the characteristics of the Baroque music, the profile of the violin, the composer himself and the style of the work, and the music structure and music of this work. The analysis of the language is carried out, and the combination of the performer's angle of perception and the inquiry is used to make a specific study of the interpretation of the work (including performing techniques and playing styles).
This article is mainly composed of introduction, background information, musical feature analysis, deductive analysis and postscript.
Introduction: to sort out the object, scope, theoretical significance and practical value of the topic.
The first chapter introduces the music style and the general situation of violin in Baroque period.
The second chapter introduces Telemann's life and music style.
The third chapter: music analysis through Telemann's twelve "Unaccompanied Violin Fantasia".
The fourth chapter: combined with my own practical experience, I try to talk about the application of Baroque performance in this work.
Conclusion: make a brief summary.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1

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