宋代教坊乐制研究

发布时间：2018-07-10 18:55

本文选题：宋代 + 教坊乐制　；参考：《中国艺术研究院》2004年博士论文

【摘要】： 教坊是宋代重要的宫廷音乐机构之一，对宋代音乐文化的发展产生了重要影响。本文通过对宋代教坊相关史料的系统梳理与总体把握，从探索宋代教坊乐制的角度入手，对北宋教坊四部之名称、教坊四部合一的年代、教坊四十大曲的影响、教坊乐人、宫廷队舞表演的起止年代等问题进行较为深入的探讨，提出了一些新的见解。本文认为，云韶部不是宋代教坊四部之一部；教坊四部合一的年代应在仁宗嘉yP二年(公元1057年)以前；教坊的乐制对后世的传统音乐产生了深远的影响，教坊四十大曲作为乐人习艺的一种标准和要求以及参军色、教坊致语等等，都可以在传统音乐中找到遗留的痕迹；教坊致语的撰写不限于文人学士，，主要还是由教坊乐人撰写；宫廷大宴中小儿队舞和女弟子队舞的应用最初出现于宋神宗熙宁、元丰年间，至晚在北宋仁宗末年，小儿队舞已出现在宫廷大宴的表演中；南宋孝宗乾道元年，废止了队舞在宫廷大宴中的表演。教坊不仅承应着宫廷宴飨中的音乐表演，而且还出现在一些庄重肃穆的场合，宋代教坊乐的性质应该是礼俗兼备的，这也是宋代教坊的重要特征之一。在研究过程中，特别强调将宋代教坊置于宋代社会政治、经济以及整个宋代文化的大视野中进行审视。
[Abstract]:Jiefang is one of the most important musical institutions in the Song Dynasty, which had an important influence on the development of the music culture in the Song Dynasty. Based on the systematical analysis and overall grasp of the historical materials related to the teaching workshops of the Song Dynasty, this paper, from the angle of exploring the music system of the teaching workshops in the Song Dynasty, discusses the names of the four parts of the teaching workshops in the Northern Song Dynasty, the era of the integration of the four parts of the teaching workshops, the influence of the Forty Daqu of the teaching workshops, and the people who teach the music of the workshops. The beginning and ending years of court dance performance were discussed in depth, and some new ideas were put forward. This paper holds that Yunshao is not one of the four ministries in the Song Dynasty; the era of the integration of the four parts of the teaching workshops should have been two years before Renzongjia YP (AD 1057); and the music system of the teaching workshops had a profound influence on the traditional music of later generations. As a kind of standard and requirement of learning the arts and art of the students, as well as the color of joining the army, the language of the teaching workshops and so on, we can find the traces left in the traditional music, and the writing of the language of the teaching workshops is not limited to the literati, but is mainly written by the people who teach the music. The application of the children's team dance and the female disciple dance in the court banquet was first appeared in the Song Shenzong Xining, Yuan Feng years, and late in the last year of the North Song Dynasty Ren Zong, the children's team dance had already appeared in the performance of the court banquet; in the first year of the South Song Xiaozong Qiandao, The performance of the team dance at the court banquet was abolished. The teaching square not only receives the music performance in the court banquet, but also appears in some solemn and solemn occasions. The nature of the Song Dynasty teaching square music should be both courtesy and custom, which is also one of the important characteristics of the Song Dynasty teaching workshop. In the course of the research, special emphasis is placed on the Song Dynasty teaching workshops in the Song Dynasty social politics, economy and the whole Song Dynasty culture.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2004
【分类号】：J609.2

【引证文献】