扬琴的传入与流变
发布时间:2018-07-11 15:02
本文选题:扬琴 + 中国化 ; 参考:《四川师范大学》2012年硕士论文
【摘要】:摘要:中华民族灿烂而悠久的文化,常令我们自豪不已,而中华的音乐文化更是中华民族文化中的一朵奇葩,绚烂夺目。这不单是中华民族深厚的文化底蕴赋予的,也要归功于外来音乐文化这一新鲜之血的注入。历史上与外来音乐文化相融合的例子很多,扬琴是众多中外音乐融合的例子之一。 中国“扬”琴,是中国民乐中的弹拨乐器。明末清初,扬琴由欧洲传入中国,经过数百年的发展,在数代音乐人士的耕耘下,扬琴慢慢由一件西洋乐器演变成中国典型的民族乐器,并在世界扬琴三大体系中独树一帜。无巧不成书,同样在明末清初,古钢琴这件在中国的音乐文化中具有举足轻重的乐器被西方的传教士带入中国,然而由于种种原因,古钢琴发展到现代钢琴,中国始终处于传播的位置,并未赋予古钢琴中国化的演变。本文通过扬琴与古钢琴的比较分析,探寻扬琴在中国扎根的根本原因是由于中国特定历史条件下的音乐审美观促成的。在一个全新的角度上揭示扬琴的中国化,为未来扬琴音乐的发展提供坚实的理论基础和广阔的创作空间。 本文主要是从扬琴的传入的国内外背景、扬琴的传入与中国化、中国化的扬琴音乐、与传入乐器古钢琴的对比等四个方面对扬琴的中国化作了全面而系统的阐述。通过介绍扬琴传入的国内外背景,引出扬琴的传入并在名称、击弦工具、形制、音色、律制等方面产生中国化的演变,层层剖析扬琴在中国的发展状况,最后通过与古钢琴的对比分析,立足于揭示扬琴中国化的内在原因。 本文将从整体论述法、分类论述法、对比分析法、层层推理法四个方面对扬琴的传入与流变作探讨,为研究扬琴的中国化提供一种崭新的思维方式和研究视角。
[Abstract]:Absrtact: the splendid and long culture of the Chinese nation often makes us proud, and the Chinese music culture is a wonderful flower in the Chinese culture. This is not only because of the profound cultural heritage of the Chinese nation, but also due to the injection of the fresh blood of the foreign music culture. There are many examples of fusion with foreign music culture in history, and yangqin is one of the many examples of music fusion between China and foreign countries. Chinese "Yang" piano is a plucked instrument in Chinese folk music. At the end of Ming Dynasty and the beginning of Qing Dynasty, yangqin was introduced into China from Europe. After hundreds of years' development, with the efforts of several generations of musicians, yangqin slowly evolved from a western musical instrument to a typical national musical instrument in China, and was unique in the three major systems of yangqin in the world. At the same time, in the late Ming and early Qing dynasties, the ancient piano, an instrument that played an important role in Chinese music culture, was brought into China by western missionaries. However, due to various reasons, the ancient piano developed to the modern piano. China has always been in the position of dissemination, did not endow the ancient piano with the evolution of Sinicization. Based on the comparative analysis between yangqin and ancient piano, this paper explores the root cause of yangqin's taking root in China because of the music aesthetics under the specific historical conditions of China. To reveal the Sinicization of yangqin from a new angle provides a solid theoretical foundation and broad creative space for the future development of yangqin music. This article mainly from the yangqin's introduction domestic and foreign background, the yangqin's introduction and the Chinese character, the Chinese yangqin music, and the introduction musical instrument ancient piano's contrast has made the comprehensive and systematic elaboration to the yangqin's Chinese transformation. By introducing the domestic and foreign background of yangqin's introduction, the introduction of yangqin and its evolution in terms of name, string tool, shape, timbre, law and so on are introduced, and the development situation of yangqin in China is analyzed layer by layer. Finally, through the comparative analysis with the ancient piano, it is based on revealing the internal reasons of the Chinese yangqin. In this paper, the introduction and evolution of yangqin are discussed from four aspects: the whole argumentation method, the classification argumentation method, the comparative analysis method and the layer by layer reasoning method, which provides a new way of thinking and a research angle for the study of the sinicalization of the yangqin.
【学位授予单位】:四川师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J632.51
【参考文献】
相关期刊论文 前9条
1 龙尚学;;张国华的《贵州竹枝词》[J];贵州文史丛刊;1982年04期
2 张翠兰;;稀见清词中的洋琴史料[J];江苏教育学院学报(社会科学版);2007年06期
3 杨秦生;对古钢琴传入中国的再探讨[J];天水师范学院学报;2001年01期
4 张娟,陈四海;康熙皇帝与古钢琴[J];新疆师范大学学报(哲学社会科学版);2004年04期
5 王薇;;扬琴与钢琴的比较借鉴[J];音乐创作;2008年03期
6 刘奇;古钢琴是何时传入我国的[J];中国音乐;1986年03期
7 周菁葆;;丝绸之路上的扬琴源流考[J];中国音乐;2010年02期
8 邝晴;我国第一部扬琴教材《琴学新编》的历史价值[J];中央音乐学院学报;2003年04期
9 郑世连;张翠兰;;清代方志所见洋琴史料丛考[J];中央音乐学院学报;2008年02期
相关博士学位论文 前1条
1 王晓平;陕南民间音乐区域文化特质考察[D];南京艺术学院;2010年
相关硕士学位论文 前4条
1 张明珠;从中国扬琴的音乐文化根基看扬琴艺术[D];武汉音乐学院;2006年
2 李霞;琴竹的演变对中国扬琴音乐的影响[D];中国艺术研究院;2007年
3 周婷婷;从扬琴艺术看近代以来的中国音乐发展[D];山东大学;2008年
4 潘斐;中国扬琴演奏的地方风格及其技法研究[D];武汉音乐学院;2009年
,本文编号:2115586
本文链接:https://www.wllwen.com/wenyilunwen/musictheory/2115586.html