江浙琴派溯流探源
发布时间：2018-07-14 07:27
【摘要】： 中国古琴音乐有绵延数千年的悠久历史，是举世公认的中国古代音乐文化的大宝藏，也是中国传统音乐文化的象征，尤其是文人音乐的象征。在其漫长的发展过程中，随着琴派的出现，它的演奏与创作逐渐步入了成熟期。作为琴学繁荣发展的产物，琴派向以其各自的地域风格、师承渊源和传谱系统为特征，而作为传统文化的象征，它的兴起与形成又离不开其赖以生存的土壤。南宋中后期，在富庶繁华的江南地区，我国历史上第一个琴派——浙派悄然兴起。在它的影响下，此后的数百年里，江浙两地的琴学传统不绝如缕，并不断孳生、繁衍出新的琴派，在我国琴史中占有举足轻重的地位。因此，，理清古代江浙地区琴派的发展脉络，对于全面了解古琴艺术的发展规律无疑是很重要的。 本文分为三个部分：第一部分首先从探讨琴派之兴于宋的历史成因着手，通过琴乐在中国古代的社会、经济和文化基础，阐述古典琴乐的文人文化特征，继而对江浙地区最早出现的两个琴派——浙派与江派进行了溯流探源。其中由于资料所限，江派只是附带提出的，目的是在于，针对当前学界有关江派的一些观点，例如：江派是琴歌派等等，提出自己的一点微不足道的看法。第二部分是对在浙派影响下所发展起来的两个江浙琴派，作一一的探讨。第三部分则是对民国以前江浙地区最后出现的广陵琴派进行溯流探源。尽管在探讨每一个琴派时，都是在同样的框架下进行的(除了江派)，看似不过是对几个不同琴派的一一分述，实则在进行分析研究时，笔者一直是紧紧扣住溯流探源这条主线，从而将出现于不同时期、不同地域的琴派，按照这样或那样的关系串联在一起的。结语部分是对上述三部分的回顾，从琴派间的渊源关系，到琴派对琴界的贡献，最后则将琴派之兴衰归结于文人群体之兴衰。
[Abstract]:Chinese Guqin music has a long history of thousands of years. It is a great treasure of Chinese ancient music culture recognized all over the world. It is also a symbol of Chinese traditional music culture, especially the symbol of literati music. In its long development process, with the emergence of the piano school, its performance and creation gradually entered the mature period. As a flourishing of the piano study, it is a flourishing development. As the product of the exhibition, the Qin school is characterized by its respective regional style, its origin and transmission system. As a symbol of the traditional culture, its rise and formation can not be separated from its survival soil. In the middle and late Southern Song Dynasty, in the rich and prosperous south of the Yangtze River, the first Qin school in the history of our country was quietly rising. Under its influence, In the following hundreds of years, the Qin tradition in Jiangsu and Zhejiang provinces has been constantly growing and multiplied, producing a new school and playing an important role in the history of the Qin Dynasty. Therefore, it is very important to understand the development of the Qin school in ancient Jiangsu and Zhejiang areas and to understand the law of the development of the art of the Guqin.
This article is divided into three parts: the first part begins with the exploration of the historical causes of the song of the Qin Dynasty. Through the Qin music in ancient China's social, economic and cultural basis, it expounds the cultural characteristics of the classical music, and then traces the origins of the first two Qin schools, Zhejiang School and Jiang school, which appeared in Jiangsu and Zhejiang areas. In the second part, the second part is to discuss one one of the two jiangzqin schools developed under the influence of Zhejiang School. The third part is to the Republic of China. The Guangling Qin school that appeared in the former Jiangsu and Zhejiang areas was traced back to the source. Although it was carried out under the same framework (except Jiang school) in the same framework, it seemed to be a one-to-one description of several different schools of Qin. In different periods, the piano schools in different regions are linked together in this way. The concluding part is a review of the above three parts, from the origin of the piano school to the contribution of the piano party to the Qin world. Finally, the rise and fall of the Qin school is attributed to the rise and fall of the literati group.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2003
【分类号】：J609.2
本文编号：2120913
[Abstract]:Chinese Guqin music has a long history of thousands of years. It is a great treasure of Chinese ancient music culture recognized all over the world. It is also a symbol of Chinese traditional music culture, especially the symbol of literati music. In its long development process, with the emergence of the piano school, its performance and creation gradually entered the mature period. As a flourishing of the piano study, it is a flourishing development. As the product of the exhibition, the Qin school is characterized by its respective regional style, its origin and transmission system. As a symbol of the traditional culture, its rise and formation can not be separated from its survival soil. In the middle and late Southern Song Dynasty, in the rich and prosperous south of the Yangtze River, the first Qin school in the history of our country was quietly rising. Under its influence, In the following hundreds of years, the Qin tradition in Jiangsu and Zhejiang provinces has been constantly growing and multiplied, producing a new school and playing an important role in the history of the Qin Dynasty. Therefore, it is very important to understand the development of the Qin school in ancient Jiangsu and Zhejiang areas and to understand the law of the development of the art of the Guqin.
This article is divided into three parts: the first part begins with the exploration of the historical causes of the song of the Qin Dynasty. Through the Qin music in ancient China's social, economic and cultural basis, it expounds the cultural characteristics of the classical music, and then traces the origins of the first two Qin schools, Zhejiang School and Jiang school, which appeared in Jiangsu and Zhejiang areas. In the second part, the second part is to discuss one one of the two jiangzqin schools developed under the influence of Zhejiang School. The third part is to the Republic of China. The Guangling Qin school that appeared in the former Jiangsu and Zhejiang areas was traced back to the source. Although it was carried out under the same framework (except Jiang school) in the same framework, it seemed to be a one-to-one description of several different schools of Qin. In different periods, the piano schools in different regions are linked together in this way. The concluding part is a review of the above three parts, from the origin of the piano school to the contribution of the piano party to the Qin world. Finally, the rise and fall of the Qin school is attributed to the rise and fall of the literati group.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2003
【分类号】：J609.2
【引证文献】
相关期刊论文 前1条
1 王小龙;;在“清微淡远”的背后——虞山琴派的风格评价问题[J];星海音乐学院学报;2012年04期
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2 李松兰;穿越时空的古琴艺术[D];上海音乐学院;2011年
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相关硕士学位论文 前3条
1 黄慧;晚明江南琴坛研究[D];河北师范大学;2010年
2 黎敏;都市背景中广州当代琴人群体的雅集组织形态、琴乐语言表达的个案研究[D];星海音乐学院;2010年
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本文编号：2120913
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