中日传统音乐在江文也钢琴音乐创作中的运用
发布时间:2018-10-12 09:25
【摘要】: 江文也是我国近现代音乐史上一位特殊的音乐家。他毕生的创作和他那特殊经历有着密切的关系:台湾出生,大陆成长,成名于日本后毅然舍弃辉煌的前景回到大陆,经历了抗日战争、解放战争、反右、文化大革命等历程仍锲而不舍地创作音乐,,其音乐反映出乐观、质朴的精神面貌,有着浓郁的民族风格和气息。在他坎坷曲折的一生中,共创作了一百多部作品,涉及了管弦乐、钢琴、室内乐等各种领域,是一位勤奋多产的作曲家、音乐教育家。钢琴音乐是江文也音乐创作的开端,贯穿于他的整个创作生涯,是他创作的一个重要组成部分。 本文运用了调查、访问、文献等方法,对中日传统音乐在江文也钢琴音乐创作中的运用、民族化风格问题进行研究。全文共分两个部分。第一部分是对江文也的生平和作品作简要的概括,为下文提供了一个全面的背景资料。第二部分是对江文也钢琴作品实体的研究,第一节是把江文也的钢琴音乐创作分为前期、过渡期和后期进行综合论述;第二节从日本的、中国台湾的、中国大陆的传统音乐在江文也钢琴音乐创作中的运用,探究其音乐创作与传统音乐与时代的内在联系,找出其创作的民族化风格的形成及其特点,以期这样的研究能够在一定程度上丰富对江文也的研究。
[Abstract]:Jiang Wen is also a special musician in the modern music history of China. His lifelong creation was closely related to his special experience: Taiwan was born, the mainland grew up, and after becoming famous in Japan, he resolutely abandoned his brilliant prospects and returned to the mainland, experiencing the War of Resistance against Japan, the War of Liberation, and the Anti-Rightist War. The course of the Cultural Revolution is still persevering in the creation of music, which reflects the optimistic, simple spirit and rich national style and flavor. In his ups and downs of life, a total of more than 100 works, involving orchestral, piano, chamber music and other fields, is a diligent and productive composer, music educator. Piano music is the beginning of Jiang Wen's music creation, which runs through his whole creative career and is an important part of his creation. By means of investigation, interview and literature, this paper studies the application and nationalization of Chinese and Japanese traditional music in Jiang Wen's piano music creation. The paper is divided into two parts. The first part is a brief summary of Jiang Wen's life and works, which provides a comprehensive background for the following. The second part is the research on the entity of Jiang Wen's piano works. The first section is to divide the piano music creation of Jiang Wen into the early stage, the transition period and the later period. The second section is from Japan, Taiwan, China. The application of Chinese mainland traditional music in Jiang Wen's piano music creation, explores the internal relationship between his music creation and traditional music and the times, and finds out the formation and characteristics of the nationalized style of his creation. In order to enrich the study of Jiang Wen to a certain extent.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2003
【分类号】:J605
本文编号:2265609
[Abstract]:Jiang Wen is also a special musician in the modern music history of China. His lifelong creation was closely related to his special experience: Taiwan was born, the mainland grew up, and after becoming famous in Japan, he resolutely abandoned his brilliant prospects and returned to the mainland, experiencing the War of Resistance against Japan, the War of Liberation, and the Anti-Rightist War. The course of the Cultural Revolution is still persevering in the creation of music, which reflects the optimistic, simple spirit and rich national style and flavor. In his ups and downs of life, a total of more than 100 works, involving orchestral, piano, chamber music and other fields, is a diligent and productive composer, music educator. Piano music is the beginning of Jiang Wen's music creation, which runs through his whole creative career and is an important part of his creation. By means of investigation, interview and literature, this paper studies the application and nationalization of Chinese and Japanese traditional music in Jiang Wen's piano music creation. The paper is divided into two parts. The first part is a brief summary of Jiang Wen's life and works, which provides a comprehensive background for the following. The second part is the research on the entity of Jiang Wen's piano works. The first section is to divide the piano music creation of Jiang Wen into the early stage, the transition period and the later period. The second section is from Japan, Taiwan, China. The application of Chinese mainland traditional music in Jiang Wen's piano music creation, explores the internal relationship between his music creation and traditional music and the times, and finds out the formation and characteristics of the nationalized style of his creation. In order to enrich the study of Jiang Wen to a certain extent.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2003
【分类号】:J605
【引证文献】
相关博士学位论文 前1条
1 廖红宇;福建钢琴音乐发展历史研究[D];福建师范大学;2010年
相关硕士学位论文 前4条
1 高一闻;江文也钢琴套曲《北京万华集》Op.22的音乐与演奏分析[D];东北师范大学;2011年
2 郑远;二十世纪下半叶中国钢琴音乐创作初探[D];福建师范大学;2006年
3 谢单单;试析江文也钢琴套曲《乡土节令诗》的创作特色[D];湖南师范大学;2008年
4 项少媚;由“西日交流”到“中西合璧”[D];浙江师范大学;2010年
本文编号:2265609
本文链接:https://www.wllwen.com/wenyilunwen/musictheory/2265609.html