论藏族民间时政歌
发布时间：2018-10-12 15:56
【摘要】：民歌是人类历史发展过程中出现较早的一种文学艺术表现形式,它是随着人类社会历史的发展而发展的。世代生活于青藏高原的藏族人民,通过长时期的社会生活,创作了为数众多、动人心弦的优秀民歌。而不同时期的历史时期,藏族人民结合自己的社会生活,继承和发展了这一特殊的文艺表现形式。可以说,藏族民歌对藏族民间文学艺术的发展作出了不可磨灭的特殊贡献。 时政歌作为民歌体裁的分支内容,它是阶级社会的特殊产物。藏族时政歌的渊源很长,这点从敦煌文献可以得到佐证,而后来的萨迦、帕竹、仁蚌、藏巴地方政府时期,藏族时政歌得到了进一步的继承和发展,这些时政歌至今广泛流传于藏族人民中。尤其在二十世纪以来,时政歌成为了藏族民歌艺术的重要表现形式。事虽如此,学界对藏族时政歌至今无人问津,有关对藏族时政歌的研究成果尚未出世,此乃笔者从事对藏族时政歌进行研究的初衷和目的所在。 本人通过系统的理论学习,结合自己的实际经验,针对藏族时政歌较为全面、系统地研究和探讨,撰写了《论藏族民间时政歌》一文。本文以辩证唯物主义和历史唯物主义思想为指导,理论与实践的结合,并经过实地考察,走访了有关人士,搜集大量资料并辅以实例,分析和探讨了藏族时政歌。 本文通过三部分对藏族民间时政歌进行了较深入的剖析: 第一部分,首先对时政歌这一特殊体裁在藏族历史的产生作出了论证,然后分别阐述了藏族时政歌的本质、藏族时政歌的发展历程、 藏族时政歌的不同分类; 第二部分,通过对藏族不同历史时期的时政歌创作、传承和发展的阐述,以及对藏族时政歌的特殊内涵、艺术特征、时空特征的深入剖析,阐明了笔者对藏族时政歌的认识和见解。 第三部分,结合文学艺术、民间文艺的重要理论,用历史唯物主义和辩证唯物主义的认识观,对藏族时政歌的现实意义、实用价值、文艺价值和文献价值进行了较深入的分析。
[Abstract]:Folk song is an early form of literary and artistic expression in the course of the development of human history. It develops with the development of the history of human society. Generations of Tibetan people living on the Tibetan Plateau, through a long period of social life, created a large number of exciting excellent folk songs. In different periods of history, the Tibetan people inherited and developed this special form of literature and art combined with their own social life. It can be said that Tibetan folk songs have made indelible contributions to the development of Tibetan folk literature and art. As a branch of folk songs, political songs are special products of class society. The history of Tibetan political songs is very long, which can be confirmed by the Dunhuang documents. But later on, during the period of Sakya, Pazhu, Ren clam, and Tibetan and Ba local governments, Tibetan political songs were further inherited and developed. These political songs are now widely spread among the Tibetan people. Especially since the 20 th century, political songs have become an important form of Tibetan folk song art. In spite of this, no one has paid much attention to the Tibetan political songs in academic circles, and the research results on the Tibetan political songs have not come out yet. This is the original intention and purpose of the author's research on the Tibetan political songs. Through systematic theoretical study and combining with my own practical experience, I have systematically studied and discussed the Tibetan political songs, and have written the essay "on Tibetan Folk political songs". Under the guidance of dialectical materialism and historical materialism, the combination of theory and practice, and through on-the-spot investigation, this paper visits relevant personages, collects a great deal of data and gives some examples to analyze and discuss the Tibetan political anthem. This article has carried on the thorough analysis to the Tibetan folk politics song through the three parts: the first part, has made the demonstration to this special genre in the Tibetan history, then elaborated the essence of the Tibetan political song separately. The second part, through the creation, inheritance and development of the Tibetan current and political songs in different historical periods, as well as the special connotation of the Tibetan current political songs. The deep analysis of artistic features and space-time features clarifies the author's understanding and opinions on Tibetan political songs. The third part, combining the important theories of literature and art, folk literature and art, and using the cognition view of historical materialism and dialectical materialism, makes a deep analysis of the realistic significance, practical value, literary value and literature value of Tibetan political songs.
【学位授予单位】：西藏大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J607
本文编号：2266721
[Abstract]:Folk song is an early form of literary and artistic expression in the course of the development of human history. It develops with the development of the history of human society. Generations of Tibetan people living on the Tibetan Plateau, through a long period of social life, created a large number of exciting excellent folk songs. In different periods of history, the Tibetan people inherited and developed this special form of literature and art combined with their own social life. It can be said that Tibetan folk songs have made indelible contributions to the development of Tibetan folk literature and art. As a branch of folk songs, political songs are special products of class society. The history of Tibetan political songs is very long, which can be confirmed by the Dunhuang documents. But later on, during the period of Sakya, Pazhu, Ren clam, and Tibetan and Ba local governments, Tibetan political songs were further inherited and developed. These political songs are now widely spread among the Tibetan people. Especially since the 20 th century, political songs have become an important form of Tibetan folk song art. In spite of this, no one has paid much attention to the Tibetan political songs in academic circles, and the research results on the Tibetan political songs have not come out yet. This is the original intention and purpose of the author's research on the Tibetan political songs. Through systematic theoretical study and combining with my own practical experience, I have systematically studied and discussed the Tibetan political songs, and have written the essay "on Tibetan Folk political songs". Under the guidance of dialectical materialism and historical materialism, the combination of theory and practice, and through on-the-spot investigation, this paper visits relevant personages, collects a great deal of data and gives some examples to analyze and discuss the Tibetan political anthem. This article has carried on the thorough analysis to the Tibetan folk politics song through the three parts: the first part, has made the demonstration to this special genre in the Tibetan history, then elaborated the essence of the Tibetan political song separately. The second part, through the creation, inheritance and development of the Tibetan current and political songs in different historical periods, as well as the special connotation of the Tibetan current political songs. The deep analysis of artistic features and space-time features clarifies the author's understanding and opinions on Tibetan political songs. The third part, combining the important theories of literature and art, folk literature and art, and using the cognition view of historical materialism and dialectical materialism, makes a deep analysis of the realistic significance, practical value, literary value and literature value of Tibetan political songs.
【学位授予单位】：西藏大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J607
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