《圣经奏鸣曲》研究
发布时间：2018-11-01 18:58
【摘要】：德国作曲家、键盘音乐演奏家和音乐理论家约翰·库瑙是巴洛克晚期德国音乐重要的代表人物之一,他是将器乐重奏的奏鸣曲变为键盘奏鸣曲的第一人。1700年出版于莱比锡的标题奏鸣曲《几个圣经故事的音乐表现——6首奏鸣曲》,简称《圣经奏鸣曲》,被誉为早期标题音乐创作的典范,此作品不仅影响了标题音乐的发展进程,也影响了之后的作曲家包括巴赫在内的音乐创作理念,推动了德国音乐的进程和发展。六首奏鸣曲以六个旧约圣经中的故事为依托,音乐创作手法沿用了自文艺复兴时期以来所常用的词语描绘手法,将音乐作为一种语言表达方式对故事情节进行生动描绘,充分体现了巴洛克时期的音乐创作与结构特点。本文立足于多重视角对库瑙的这部作品进行综合性的分析和研究。全文共分为三个章,研究内容涉及库瑙古钢琴奏鸣曲的创作背景以及其个人的音乐创作历程、《圣经奏鸣曲》的标题性及文学文本解读、曲式结构分类、音乐主题推进手法、音乐性格的多元塑造、词语描绘手法在作品中的体现等。第一章关注的是库瑙古钢琴奏鸣曲创作时的社会——历史环境、作曲家的生活背景和创作历程；第二章论述了《圣经奏鸣曲》中的标题性特征及标题类型划分、六个圣经故事溯源与《圣经奏鸣曲》标题文本选择；第三章通过分析曲式结构特征、音乐主题推进手法、音乐性格多元塑造、词语描绘手法等论述如何用音乐解读圣经；最后作为总结性的思考,在前三章的论述和分析基础上综合阐述库瑙这部圣经奏鸣曲作为最早的标题音乐典范以及巴洛克时期推崇的词语描绘手法的经典范例,其产生的历史地位与影响。
[Abstract]:John Kunau, a German composer, keyboard musician and music theorist, was one of the most important representatives of German music in late Baroque. He was the first person to turn instrumental sonatas into keyboard sonatas. Published in Leipzig in 1700, the title Sonata "the Musical performance of several Biblical stories", 6 Sonatas for short, "Biblical Sonata", were published in Leipzig. This work not only affected the development of title music, but also influenced the later composers, including Bach, and promoted the process and development of German music. The six sonatas are based on the stories in the six Old Testament bibles, and the musical creation techniques follow the usual lexical description techniques since the Renaissance, and use music as a way of expressing the story vividly as a way of expressing the story. Fully reflects the Baroque period of music creation and structural characteristics. This thesis is based on the comprehensive analysis and research of Kunau's work from multiple perspectives. The full text is divided into three chapters. The research covers the background of the creation of the Kunaugu piano sonata and its personal musical creation process, the title of the Sonata of the Bible and the interpretation of the literary text, the classification of the structure of the form, and the modus operandi of the music theme. The pluralistic shaping of musical character and the expression of words and expressions in the works. The first chapter focuses on the social-historical environment, the life background and the creative process of the composer in the creation of the Sonata for the piano. The second chapter discusses the title characteristics and classification of the title in the Bible Sonata, the tracing of six Bible stories and the choice of the title text of the Bible Sonata. The third chapter discusses how to interpret the Bible with music through the analysis of the structural characteristics of music, the modus operandi of musical themes, the plural shaping of musical personality and the techniques of describing words and phrases. Finally, as a summative reflection, on the basis of the discussion and analysis of the first three chapters, this paper comprehensively expounds that the Sonata of the Bible is the earliest model of title music and the classic example of the description of words and expressions advocated in the Baroque period. Its historical position and influence.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1
本文编号：2304812
[Abstract]:John Kunau, a German composer, keyboard musician and music theorist, was one of the most important representatives of German music in late Baroque. He was the first person to turn instrumental sonatas into keyboard sonatas. Published in Leipzig in 1700, the title Sonata "the Musical performance of several Biblical stories", 6 Sonatas for short, "Biblical Sonata", were published in Leipzig. This work not only affected the development of title music, but also influenced the later composers, including Bach, and promoted the process and development of German music. The six sonatas are based on the stories in the six Old Testament bibles, and the musical creation techniques follow the usual lexical description techniques since the Renaissance, and use music as a way of expressing the story vividly as a way of expressing the story. Fully reflects the Baroque period of music creation and structural characteristics. This thesis is based on the comprehensive analysis and research of Kunau's work from multiple perspectives. The full text is divided into three chapters. The research covers the background of the creation of the Kunaugu piano sonata and its personal musical creation process, the title of the Sonata of the Bible and the interpretation of the literary text, the classification of the structure of the form, and the modus operandi of the music theme. The pluralistic shaping of musical character and the expression of words and expressions in the works. The first chapter focuses on the social-historical environment, the life background and the creative process of the composer in the creation of the Sonata for the piano. The second chapter discusses the title characteristics and classification of the title in the Bible Sonata, the tracing of six Bible stories and the choice of the title text of the Bible Sonata. The third chapter discusses how to interpret the Bible with music through the analysis of the structural characteristics of music, the modus operandi of musical themes, the plural shaping of musical personality and the techniques of describing words and phrases. Finally, as a summative reflection, on the basis of the discussion and analysis of the first three chapters, this paper comprehensively expounds that the Sonata of the Bible is the earliest model of title music and the classic example of the description of words and expressions advocated in the Baroque period. Its historical position and influence.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1
【引证文献】
相关硕士学位论文 前1条
1 叶莉斯;从音乐表意的角度看西方早期器乐语汇的形成[D];星海音乐学院;2013年
，本文编号：2304812
本文链接：https://www.wllwen.com/wenyilunwen/musictheory/2304812.html
