从第十四届青歌赛现场点评看当代声乐批评

发布时间：2018-11-02 08:00

【摘要】：本文较为系统全面地介绍了青歌赛的历史脉络和历史发展变革,以此为背景对第十四届青歌赛的现场点评进行整理归类。旨在通过将第十四届青歌赛的现场点评与声乐艺术的发展相结合,总结出其现场形式、主客体及内容上传播上产生的作用,以尝试对声乐艺术的发展和音乐批评方面做一些有益的探索。全文四章九节,首尾附之于绪论、附录和后记,约三万五千字。绪论先是对当前青歌赛赛事的简单概述,阐述了本选题的出发点、目的以及理论、实践价值,进而是对选题研究动态的梳理和本文见解的提出。论文第一章,从青歌赛的历史和现状两个方面来介绍,以表格的形式对比历史脉络和历史发展变革,对第十四届青歌赛所显现出来的新特点进行总结。论文第二章,从第十四届青歌赛现场评论的本体着手,在评论形式和评论的主客体等方面归纳分析。论文第三章,从现场评论的内容出发,从文化理论、技术风格和形式唱法等角度,结合典型的批评案例,系统的阐述现场评论在推动声乐批评发挥的作用。论文最后一章,青歌赛现场评论通过电视传媒体现出来的特性。后记则主要是对本文研究的总结,并记录了本文在研究过程中所遇到的问题和感受。总之,对青歌赛现场评论进行多角度研究,无论是对声乐艺术的发展还是对音乐批评学学科及实践都是十分有益的。
[Abstract]:This paper systematically and comprehensively introduces the historical context and historical development and changes of the Youth Song Competition, and classifies the on-site comments of the 14th Youth Song Competition against this background. By combining the on-site comments of the 14th Youth Song Competition with the development of vocal music art, the purpose of this paper is to sum up the role of its field form, subject, object and content in its dissemination. In order to try to the development of vocal music art and music criticism to do some useful exploration. The full text four chapters nine section, the beginning and end appends to the introduction, the appendix and the postscript, about 35000 words. First of all, the introduction gives a brief overview of the current competition, expounds the starting point, purpose, theory and practical value of this topic, and then combs the research trends of the topic and puts forward the opinion of this paper. The first chapter introduces the history and current situation of the Youth Song Competition, compares the historical context and the historical development with the form of tables, and summarizes the new features of the 14th Youth Song Competition. In the second chapter, the author begins with the Noumenon of the 14 th Youth Song Competition, and summarizes and analyzes the form of the commentary and the subject and object of the review. The third chapter, from the point of view of cultural theory, technical style and formal singing, systematically expounds the role of on-site criticism in promoting vocal music criticism. In the last chapter of the thesis, the characteristics of the live commentary of the Youth Song Competition are reflected through the TV media. The postscript is mainly a summary of this study, and records the problems and feelings encountered in the research process. In a word, it is beneficial to the development of vocal music art and to the subject and practice of music criticism.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J616

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