元代河北音乐历史研究
发布时间：2019-03-06 09:32
【摘要】：元代河北音乐历史是河北音乐历史的重要组成部分,对于它的研究,不仅有助于中国音乐历史研究体系的进一步完善,同时对于河北音乐历史及中国区域性断代音乐史研究体系进一步发展具有积极的意义与作用。河北音乐在百余年的元代历史中获得了广泛的发展。元曲在河北盛极一时,造就河北出现了许多著名的音乐家,艺人。音乐家创作出来的元曲作品在艺人的精彩演绎下,流传百世。民间歌舞,说唱音乐,民歌等艺术形式,也分别呈现出不同的发展线条,在不同的时期具有不同的特征。元代河北音乐的发展与政治,经济,文化有密切的关系,当然也与艺术形式自身的演变有莫大的联系。笔者就元代河北音乐内容的各个方面进行展开叙述,通过对各种音乐形式的详细研究与分析,力图展现元代河北音乐的发展全状。 本文分为五章进行叙述。第一章“民间音乐”,本文对元代河北民间音乐的研究,主要从民歌,歌舞,乐器,说唱音乐四个方面入手,通过对各种艺术形式发展线条的梳理与分析,勾画出元代河北民间音乐的整体轮廓。第二章“元曲”,笔者就音乐家及其创作,艺人三个方面进行叙述,通过对它们的详细分析与解析,展现元曲在河北发展的全貌。第三章“乐籍制度”,笔者就乐户及礼乐户两大形式在河北的发展情况进行详细叙述,展现元代河北乐籍制度的发展状况。第四章“音乐理论”,笔者以《唱论》和胡之恲音乐思想为主要论述目标,展现元代河北音乐理论发展的高度。第五章“宗教音乐”。从宗教音乐和道教音乐两个方面,阐述元代河北宗教音乐发展的主要状况。最后得出结论。
[Abstract]:The history of Hebei music in Yuan Dynasty is an important part of the history of Hebei music. The research on it not only contributes to the further improvement of the research system of Chinese music history, At the same time, it has positive significance and function for the further development of Hebei music history and Chinese regional music history research system. Hebei music has been widely developed in the history of Yuan Dynasty for more than a hundred years. Yuan Song in Hebei Province for a time, bringing up Hebei Province appeared a lot of famous musicians, entertainers. Musicians created Yuan qu works in the artist's wonderful performance, spread throughout the world. Folk songs and dances, rap music, folk songs and other forms of art, also show different lines of development, in different periods have different characteristics. The development of Hebei music in Yuan Dynasty is closely related to politics, economy and culture, and of course to the evolution of art form itself. The author describes all aspects of Hebei music in Yuan Dynasty, and tries to show the development of Hebei music in Yuan Dynasty through the detailed study and analysis of various music forms. This paper is divided into five chapters to describe. The first chapter "Folk Music", this article to Hebei folk music research, mainly from folk song, song and dance, musical instrument, rap music four aspects, through to the various artistic forms development line combs and the analysis, Outline the whole outline of Hebei folk music in Yuan Dynasty. The second chapter "Yuan qu", the author describes the musicians and their creation, artist three aspects, through the detailed analysis and analysis of them, to show the development of Yuan qu in Hebei. In the third chapter, "Music system", the author gives a detailed description of the development of Lehu and Lilehu in Hebei Province, showing the development of Hebei Music system in Yuan Dynasty. The fourth chapter "Music Theory", the author takes "singing Theory" and Hu Zhiquan's music thought as the main exposition goal, displays the Yuan Dynasty Hebei music theory development height. Chapter V "religious Music". This paper expounds the development of religious music in Hebei in Yuan Dynasty from two aspects: religious music and Taoist music. Finally, a conclusion was drawn.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J609.2
本文编号：2435408
[Abstract]:The history of Hebei music in Yuan Dynasty is an important part of the history of Hebei music. The research on it not only contributes to the further improvement of the research system of Chinese music history, At the same time, it has positive significance and function for the further development of Hebei music history and Chinese regional music history research system. Hebei music has been widely developed in the history of Yuan Dynasty for more than a hundred years. Yuan Song in Hebei Province for a time, bringing up Hebei Province appeared a lot of famous musicians, entertainers. Musicians created Yuan qu works in the artist's wonderful performance, spread throughout the world. Folk songs and dances, rap music, folk songs and other forms of art, also show different lines of development, in different periods have different characteristics. The development of Hebei music in Yuan Dynasty is closely related to politics, economy and culture, and of course to the evolution of art form itself. The author describes all aspects of Hebei music in Yuan Dynasty, and tries to show the development of Hebei music in Yuan Dynasty through the detailed study and analysis of various music forms. This paper is divided into five chapters to describe. The first chapter "Folk Music", this article to Hebei folk music research, mainly from folk song, song and dance, musical instrument, rap music four aspects, through to the various artistic forms development line combs and the analysis, Outline the whole outline of Hebei folk music in Yuan Dynasty. The second chapter "Yuan qu", the author describes the musicians and their creation, artist three aspects, through the detailed analysis and analysis of them, to show the development of Yuan qu in Hebei. In the third chapter, "Music system", the author gives a detailed description of the development of Lehu and Lilehu in Hebei Province, showing the development of Hebei Music system in Yuan Dynasty. The fourth chapter "Music Theory", the author takes "singing Theory" and Hu Zhiquan's music thought as the main exposition goal, displays the Yuan Dynasty Hebei music theory development height. Chapter V "religious Music". This paper expounds the development of religious music in Hebei in Yuan Dynasty from two aspects: religious music and Taoist music. Finally, a conclusion was drawn.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J609.2
【引证文献】
相关期刊论文 前1条
1 王婧怡;;《唱论》“宫调声情说”研究综述[J];歌海;2012年03期
，本文编号：2435408
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