明清时期中国西洋管乐的发端与兴盛
发布时间：2019-03-18 12:07
【摘要】：在常见的中国音乐史著作和教材中,通常把张之洞自强军军乐队(1895)与袁世凯北洋新军军乐队(1898)定论为中国西洋管乐队的肇始,但通过资料的不断发掘发现,事实上有多支管乐团队要早于这两支军乐队而存在,如天津水师学堂管乐队(成立于1883年以前);上海租界娱乐基金会的公共管乐队(成立于1879年)、罗伯特·赫德管乐队(成立于1885年)以及上海谋得利管乐队(成立于1896年)。这些乐队在传播西方音乐方面所起的作用,不仅在奏乐演出方面,更在于直接或间接地为中国培养了第一批具有专业性质的西方乐器的演奏人员,他们后来在介绍西方音乐方面和在中国新音乐的形成发展过程中,发挥了积极的作用和深远的影响。
[Abstract]:In the common works and textbooks on the history of Chinese music, Zhang Zhidong's military band (1895) and Yuan Shikai's Northern New Army (1898) are usually regarded as the beginning of the western orchestra of China, but through the continuous discovery of the data, In fact, a number of orchestra teams existed earlier than these two military bands, such as the Tianjin Hydrology School of Management (founded before 1883); The Shanghai concession Entertainment Foundation's Public Management Band (founded in 1879), Robert Hurd's Band (founded in 1885) and Shanghai Merchant's Band (founded in 1896). The role played by these bands in the dissemination of Western music, not only in terms of playing music, but also in the direct or indirect cultivation of the first Western musical instrument performers of a professional nature for China. They later played an active and far-reaching role in the introduction of western music and in the formation and development of Chinese new music.
【作者单位】： 南京艺术学院;
【分类号】：J609.2
[Abstract]:In the common works and textbooks on the history of Chinese music, Zhang Zhidong's military band (1895) and Yuan Shikai's Northern New Army (1898) are usually regarded as the beginning of the western orchestra of China, but through the continuous discovery of the data, In fact, a number of orchestra teams existed earlier than these two military bands, such as the Tianjin Hydrology School of Management (founded before 1883); The Shanghai concession Entertainment Foundation's Public Management Band (founded in 1879), Robert Hurd's Band (founded in 1885) and Shanghai Merchant's Band (founded in 1896). The role played by these bands in the dissemination of Western music, not only in terms of playing music, but also in the direct or indirect cultivation of the first Western musical instrument performers of a professional nature for China. They later played an active and far-reaching role in the introduction of western music and in the formation and development of Chinese new music.
【作者单位】： 南京艺术学院;
【分类号】：J609.2
【共引文献】
相关期刊论文 前3条
1 胡郁青;20世纪西方现代音乐现象透析[J];西华师范大学学报(哲学社会科学版);2004年06期
2 汪朝光;20世纪初叶电影在东北边陲之兴——哈尔滨早期电影市场研究[J];南京大学学报(哲学.人文科学.社会科学版);2004年03期
3 许庆选;浅论音乐的世界性与民族性[J];漳州师范学院学报(哲学社会科学版);2004年02期
相关硕士学位论文 前4条
1 高红;科普兰与其主要钢琴作品研究[D];东北师范大学;2007年
2 陈e，
本文编号：2442851
本文链接：https://www.wllwen.com/wenyilunwen/musictheory/2442851.html
