论《淮南子》的律历、律数和旋宫
发布时间：2019-04-12 14:55
【摘要】： 《淮南子》中记录的乐律内容，是继《管子》、《吕氏春秋》律学之后的又一里程碑，因此受到历代乐律学研究者的重视，但是由于它涉及乐律、天文、历法、哲学等学科领域，加之其文字艰涩，不易解读，至使相关的乐律学研究还没有深入展开。由此，本文在总结前人研究成果的基础上，通过考察秦汉时期人文、科技、地域等文化背景，深入研究《淮南子》中的律历关系、律数、旋宫三个问题，试图揭示《淮南子》律学的整体面貌，勾勒出秦汉律学发展的大致脉络。本文主要分为五部分： 一、简要阐述《淮南子》律学的哲学基础； 二、界定《淮南子》“律”的概念； 三、尝试纵横比较的方法，对《淮南子》中的律历问题做律历为什么结合、怎样结合以及结合本质的讨论； 四、律数的产生存在三种相互联系的可能，其实质是以古琴实践为基础，并反映出与先秦钟律的某种内在联系； 五、淮南“右旋”与古琴实践有关，“左旋”与“随月用律”以及先秦纳音有关，，二者都影射出汉人“崇天”的观念。
[Abstract]:The content of music recorded in Huainan Zi is another milestone after Guanzi, Lu's Spring and Autumn period. Therefore, it has been paid attention to by researchers in music law of all ages. However, because it involves music law, astronomy, calendar, and so on, it has been paid more attention to by the researchers of music law of the past dynasties, but because it involves music law, astronomy, calendar, Philosophy and other disciplines, combined with its difficult writing, difficult to interpret, so that the relevant study of music has not been carried out in-depth. Therefore, on the basis of summarizing the previous research results, this paper investigates the cultural background of the Qin and Han dynasties, such as humanities, science and technology, region and so on, and deeply studies the relationship between the law and the calendar, the number of laws, and the palace of rotation in Huainan Zi. This paper attempts to reveal the overall appearance of Huainan Zi's Lexology and outline the general context of the development of Lexology in Qin and Han dynasties. This paper is divided into five parts: first, it briefly expounds the philosophical basis of Huainan Zi's study of law, second, defines the concept of "law" of "Huainan Zi"; Third, try the method of vertical and horizontal comparison to discuss why the rhythm calendar is combined, how to combine it and how to combine the essence of the law calendar in Huainan Zi. Fourth, there are three kinds of interrelation possibilities in the production of rhythm numbers, whose essence is based on the practice of Guqin and reflects some kind of internal connection with the pre-Qin bell law; Fifth, Huainan's "right-hand turn" is related to the practice of Guqin, "left-hand" is related to "using the law with the moon" and "pre-Qin nyin", both of which reflect the concept of "worshiping heaven" in the Han people.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J612.1
本文编号：2457117
[Abstract]:The content of music recorded in Huainan Zi is another milestone after Guanzi, Lu's Spring and Autumn period. Therefore, it has been paid attention to by researchers in music law of all ages. However, because it involves music law, astronomy, calendar, and so on, it has been paid more attention to by the researchers of music law of the past dynasties, but because it involves music law, astronomy, calendar, Philosophy and other disciplines, combined with its difficult writing, difficult to interpret, so that the relevant study of music has not been carried out in-depth. Therefore, on the basis of summarizing the previous research results, this paper investigates the cultural background of the Qin and Han dynasties, such as humanities, science and technology, region and so on, and deeply studies the relationship between the law and the calendar, the number of laws, and the palace of rotation in Huainan Zi. This paper attempts to reveal the overall appearance of Huainan Zi's Lexology and outline the general context of the development of Lexology in Qin and Han dynasties. This paper is divided into five parts: first, it briefly expounds the philosophical basis of Huainan Zi's study of law, second, defines the concept of "law" of "Huainan Zi"; Third, try the method of vertical and horizontal comparison to discuss why the rhythm calendar is combined, how to combine it and how to combine the essence of the law calendar in Huainan Zi. Fourth, there are three kinds of interrelation possibilities in the production of rhythm numbers, whose essence is based on the practice of Guqin and reflects some kind of internal connection with the pre-Qin bell law; Fifth, Huainan's "right-hand turn" is related to the practice of Guqin, "left-hand" is related to "using the law with the moon" and "pre-Qin nyin", both of which reflect the concept of "worshiping heaven" in the Han people.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J612.1
【引证文献】
相关博士学位论文 前1条
1 孙占宇;放马滩秦简日书整理与研究[D];西北师范大学;2008年
相关硕士学位论文 前2条
1 宋克宾;秦汉道家律学思想的“四维”特征[D];中国音乐学院;2011年
2 李烁;象数易学视域下的两汉自然哲学之研究[D];山东大学;2011年
本文编号：2457117
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