王宁两首复风格作品对位技法研究

发布时间：2019-05-11 02:14

【摘要】：本论文主要以著名作曲家、中国音乐学院作曲系教授王宁创作的两部“复风格”作品：弦乐四重奏《风格对话》和室内乐《异化——人类与它们自己世纪末的祷歌——献给1999》中的对位技法为切入点,深入研究王宁音乐创作中的对位思维和技法特征；并试图在技法研究的基础上提炼出他的创作思想、风格特征和美学追求。文章包括以下四个部分：绪论；第一章弦乐四重奏《风格对话》解析；第二章室内乐《异化——人类与它们自己世纪末的祷歌——献给1999》解析;第三章王宁音乐创作中的复风格及其技法特征。其中第一、二两章是本文的重点。通过对王宁两首作品的深入剖析,我们不仅对对位技法在当代运用形式有了更广泛的了解,而且对音乐表现社会、反映现灾、关注人类命运的功能有了更加深刻的认识。
[Abstract]:This thesis is mainly composed of famous composers, Wang Ning, professor of composition at the Chinese Conservatory of Music, wrote two works of "complex style": string quartet "style Dialogue" and Chamber Music "alienation-Human beings and their own Prayer songs at the end of the Century-dedicated to the counterpoint techniques in 1999 >. Deeply study the characteristics of alignment thinking and techniques in Wang Ning's music creation; And try to refine his creative ideas, style features and aesthetic pursuit on the basis of technical research. The article includes the following four parts: introduction, the first chapter string quartet "style dialogue" analysis; The second chapter is the analysis of chamber music < alienation-human beings and their own prayer songs at the end of the century-dedicated to 1999 >; the third chapter is the complex style and its technical characteristics in Wang Ning's music creation. The first, second and second chapters are the focus of this paper. Through the in-depth analysis of Wang Ning's two works, we not only have a broader understanding of the contemporary application of counterpoint techniques, but also have a deeper understanding of the function of music expressing society, reflecting the present disaster and paying attention to the fate of mankind.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J605

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