牡丹江地区赵氏满族萨满祭祖仪式音乐研究

发布时间：2019-05-14 22:06

【摘要】：20世纪80年代,民族音乐学这门学科开始传入中国,并得到中国音乐界学者们的普遍认可。在近三十年的发展过程中,有关萨满文化的研究逐渐丰富起来,但在黑龙江有关萨满文化的研究起步较晚,本文意图通过对牡丹江地区满族萨满祭祖仪式过程的研究,并以某一姓氏的萨满祭祖仪式为主要研究对象,探寻行为背后隐含的深层思想。本论文的题目是《牡丹江地区赵氏满族萨满祭祖仪式音乐研究》,以黑龙江省牡丹江地区满族四赵姓氏之一为研究对象,通过田野考察及理论研究等手段,探索赵氏萨满祭祖仪式中音乐的作用与功能,挖掘深藏于文化局内人大脑的内在文化内涵,并将之最内在的文化地图描述出来。本研究基于对牡丹江地区赵氏满族相关信息(地理历史、人口、社会环境等)及萨满祭祖仪式整体过程等方面的考察,并将实践与理论相结合,将从四方面入手进行论文写作: 一、满族萨满祭祖仪式研究综述。通过对满族萨满教整体历史的考察,追溯满族萨满祭祖仪式的发展轨迹以及牡丹江地区满族萨满祭祖仪式的现状。二、牡丹江地区赵氏家祭满族萨满祭祖仪式音乐民族志志述。从宏观的角度概述赵氏满族萨满祭祖仪式相关背景,并对赵氏满族萨满祭祖仪式过程、使用的器物、祭祖仪式的保存与延续现状及赵氏萨的传承进行详细的阐释。三、牡丹江地区赵氏满族萨满祭祖仪式音乐研究。此部分将从音乐在赵氏满族萨满祭祖仪式中的使用、祭祖仪式中音乐形态结构(包括音乐的曲调、节奏、舞蹈、歌唱等)入手,对赵氏满族萨满祭祖仪式中的音乐进行分析。四、赵氏祭祖仪式音乐文化解释。此部分笔者将结合两年来对赵氏进行田野考察时所搜集到的素材和通过图书查阅、网站搜索等方法查找到的资料进行综合、整理,通过分析比较,初步探究这些音乐现象背后所特有的文化价值,并挖掘深层的社会内涵。这一部分中将重点论述音乐在祭祖仪式中所起到的作用以及局内人思想层面和灵魂观方面的研究。
[Abstract]:In 1980 s, the subject of national musicology began to be introduced into China, and was widely recognized by Chinese music scholars. In the course of nearly 30 years of development, the research on shaman culture has gradually enriched, but the research on shaman culture in Heilongjiang started relatively late. This paper intends to study the ceremony process of Manchu shaman ancestor worship in Mudanjiang area. Taking the shaman ancestor worship ceremony of a certain surname as the main research object, this paper explores the deep thought behind the behavior. The title of this paper is "Research on the ritual Music of Zhao Manchu ancestor worship in Mudanjiang area". Taking one of the four Zhao surnames of Manchu nationality in Mudanjiang area of Heilongjiang Province as the research object, through field investigation and theoretical research, This paper explores the function and function of music in Zhao Shiman's ancestor worship ceremony, excavates the internal cultural connotation of the human brain hidden in the Bureau of Culture, and describes its most inherent cultural map. This study is based on the investigation of the relevant information of Zhao Manchu nationality (geographical history, population, social environment, etc.) and the whole process of shaman ancestor worship ceremony in Mudanjiang area, and combines practice with theory. The thesis will be written from four aspects: first, a summary of the research on Manchu shaman ancestor worship ceremony. Through the investigation of the whole history of Manchu shamanism, this paper traces back to the development track of Manchu shaman ancestor worship ceremony and the present situation of Manchu shaman ancestor worship ceremony in Mudanjiang area. Second, the Zhao family sacrifice Manchu shaman ritual music ethnography in Mudanjiang area. From a macro point of view, this paper summarizes the related background of Zhao Manchu shaman ancestor worship ceremony, and explains in detail the process of Zhao Manchu shaman ancestor worship ceremony, the utensils used, the preservation and continuation of the ancestor worship ceremony and the inheritance of Zhao Shisa. Third, Mudanjiang area Zhao Manchu shaman ancestor worship ceremony music research. This part will start with the use of music in Zhao Manchu shaman ancestor worship ceremony, and the music form structure (including music tune, rhythm, dance, singing, etc.), and analyze the music in Zhao Manchu shaman ancestor worship ceremony. Fourth, Zhao's ancestor worship ceremony music culture explanation. In this part, the author will synthesize, collate, analyze and compare the materials collected during the field investigation of Zhao in the past two years and the materials found through book reference, website search and other methods. This paper probes into the unique cultural value behind these music phenomena, and excavates the deep social connotation. This part will focus on the role of music in the ceremony of ancestor worship, as well as the study of the ideological level and soul view of the people in the Bureau.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J607

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