声乐套曲《暗无天日》和声研究
发布时间：2019-06-04 20:17
【摘要】：穆杰斯特·彼得诺维奇·穆索尔斯基(Mussorgsky.Modest.Petrovich,1839—1881年)是19世纪俄罗斯民族乐派“强力五人团”中极具创新精神的作曲家,他是俄罗斯近代音乐现实主义的奠基人。《暗无天日》是他在声乐创作领域最成熟、对后人创作影响颇深的声乐套曲之一。 笔者拟以声乐套曲《暗无天日》为研究对象,对其展开在继承传统和声的基础上所运用的一些超越传统的和声技法进行分析,包括：揭示作品所运用的同主音或不同主音混合调式结构,展示作品同主音大小调交替变音和弦、复合和弦、不完全和弦等和声材料以及非功能性、调式化和声进行,透视作品将传统结构的单一调式作混合性扩展而产生的调式化和声语言,进而了解作品的艺术特点,评判作品的艺术价值。
[Abstract]:Mujester Peternovich Musolski (Mussorgsky.Modest.Petrovich,1839- 1881) is a very innovative composer in the 19th century Russian National Music School "strong Group of five". He is the founder of Russian modern music realism. Dark Day is one of the most mature vocal music suite in the field of vocal music creation and has a deep influence on the creation of future generations. The author intends to take the vocal music suite "No Day" as the research object, and analyzes some of the harmony techniques that go beyond the traditional harmony, which are carried out on the basis of inheriting the traditional harmony. Including: revealing the homophonic or different tonal structure used in the work, displaying the harmonic materials such as alternating consonant chords, compound chords and incomplete chords, as well as non-functional and stylized harmony. Through the perspective of the single tone of the traditional structure as a mixed expansion of the stylized and vocal language, and then understand the artistic characteristics of the work, judge the artistic value of the work.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614.1
本文编号：2492972
[Abstract]:Mujester Peternovich Musolski (Mussorgsky.Modest.Petrovich,1839- 1881) is a very innovative composer in the 19th century Russian National Music School "strong Group of five". He is the founder of Russian modern music realism. Dark Day is one of the most mature vocal music suite in the field of vocal music creation and has a deep influence on the creation of future generations. The author intends to take the vocal music suite "No Day" as the research object, and analyzes some of the harmony techniques that go beyond the traditional harmony, which are carried out on the basis of inheriting the traditional harmony. Including: revealing the homophonic or different tonal structure used in the work, displaying the harmonic materials such as alternating consonant chords, compound chords and incomplete chords, as well as non-functional and stylized harmony. Through the perspective of the single tone of the traditional structure as a mixed expansion of the stylized and vocal language, and then understand the artistic characteristics of the work, judge the artistic value of the work.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614.1
【参考文献】
相关硕士学位论文 前1条
1 林滨;穆索尔斯基三组声乐套曲音乐研究[D];陕西师范大学;2009年
，本文编号：2492972
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