“主要音”在尹伊桑室内乐中的运用
发布时间：2019-06-06 06:06
【摘要】：德籍韩裔作曲家尹伊桑((1917年9月17日—1995年11月3日)),其作品充分吸取了西方现代作曲技巧来表达亚洲人的思想,创作风格带有鲜明的东方文化元素。展现出一条在作曲技法上、音乐美学上有所追求、有所创造的探索轨迹。 室内乐在尹伊桑的创作当中占了相当大的比重,其体裁多样,几乎涉及所有重奏类及大型室内乐。本文力图从创作的角度出发,对尹伊桑室内乐作品中的结构：音高组织、音色、织体、线条、力度、速度等分析和研究,从中找出“主要音”创作技法所呈现的“规律性”。 本文共分为三章：第一章对尹伊桑的生平概况及创作历程进行介绍,将创作历程分为启蒙、探索、成熟三个阶段。对每个阶段的时代背景、个人经历进行介绍、分析,从中探究“主要音”技法独有的创作风格形成的过程及文化根源；第二章将西方现代作曲技法与东方哲学、民族传统文化融于一体的“主要音”技法中的创作规律进行较为系统的归纳、概括；第三章通过对尹伊桑作品室内乐作品《八重奏》中的音高组织、线性结构、速度、力度、音色、明暗进行研究分析,展示“主要音”创作技法的具体表现手法,经过对比分析,让我们更清晰的了解作曲家的创作脉络。 通过本文对尹伊桑“主要音”技法的分析、研究,对努力探索如何将民族文化与现代音响相结合的作曲家们确立自己的创作风格有着重要的现实意义和应用价值。
[Abstract]:German Korean composer Yin Yisan (September 17, 1917-November 3, 1995), 's works fully absorb the western modern composition skills to express the ideas of Asians, and the creative style has distinct oriental cultural elements. It shows a track of exploration in composition techniques and music aesthetics. Chamber music accounts for a considerable proportion in Yin Yisan's creation, and its genre is diverse, involving almost all kinds of duet and large chamber music. From the point of view of creation, this paper tries to analyze and study the structure of Yin Yisan's chamber music works, such as pitch organization, timbre, texture, line, strength, speed and so on, so as to find out the "regularity" of the creative techniques of "main sound". This paper is divided into three chapters: the first chapter introduces Yin Yisan's life and creative process, and divides the creative process into three stages: enlightenment, exploration and maturity. This paper introduces and analyzes the background and personal experience of each stage, and probes into the process and cultural roots of the formation of the unique creative style of the "main sound" technique. The second chapter systematically sums up and summarizes the creative laws in the "main sound" techniques, which integrates western modern composition techniques with oriental philosophy and national traditional culture. In the third chapter, through the research and analysis of pitch organization, linear structure, speed, strength, timbre, light and dark in Yin Yisan's chamber music work, the author shows the concrete expression techniques of "main sound" creation technique, after comparative analysis, Let us have a clearer understanding of the composer's creative context. Through the analysis of Yin Yisan's "main sound" techniques, this paper has important practical significance and application value for composers who try to explore how to combine national culture with modern sound to establish their own creative style.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J605
本文编号：2494123
[Abstract]:German Korean composer Yin Yisan (September 17, 1917-November 3, 1995), 's works fully absorb the western modern composition skills to express the ideas of Asians, and the creative style has distinct oriental cultural elements. It shows a track of exploration in composition techniques and music aesthetics. Chamber music accounts for a considerable proportion in Yin Yisan's creation, and its genre is diverse, involving almost all kinds of duet and large chamber music. From the point of view of creation, this paper tries to analyze and study the structure of Yin Yisan's chamber music works, such as pitch organization, timbre, texture, line, strength, speed and so on, so as to find out the "regularity" of the creative techniques of "main sound". This paper is divided into three chapters: the first chapter introduces Yin Yisan's life and creative process, and divides the creative process into three stages: enlightenment, exploration and maturity. This paper introduces and analyzes the background and personal experience of each stage, and probes into the process and cultural roots of the formation of the unique creative style of the "main sound" technique. The second chapter systematically sums up and summarizes the creative laws in the "main sound" techniques, which integrates western modern composition techniques with oriental philosophy and national traditional culture. In the third chapter, through the research and analysis of pitch organization, linear structure, speed, strength, timbre, light and dark in Yin Yisan's chamber music work, the author shows the concrete expression techniques of "main sound" creation technique, after comparative analysis, Let us have a clearer understanding of the composer's creative context. Through the analysis of Yin Yisan's "main sound" techniques, this paper has important practical significance and application value for composers who try to explore how to combine national culture with modern sound to establish their own creative style.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J605
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