胶东道乐“勾凡调”及相关研究

发布时间：2017-12-30 21:00

本文关键词：胶东道乐“勾凡调”及相关研究　出处：《中国艺术研究院》2009年硕士论文　论文类型：学位论文

【摘要】： 中国传统音乐在数千年的历史长河中,经过生生不息的传承一直保存到当下,无论是礼乐、俗乐、民间用乐、还是宗教用乐,在音乐本体中心特征律调谱器等方面都有相当的一致性。本文以胶东道教音乐中“勾凡调”这一乐调为切入点,对“勾”、“勾凡”、“勾凡调”、“勾凡调曲”的概念进行定位,进而对它们所涉及的相关音乐本体以及音乐文化的传承和发展展开论述。首先,通过对“勾”字的认识,让我们能够掌握工尺谱与管子之间的关系,特别是通过文献了解到,清代的官方体系中仍然有使用九孔管乐队组合的形式;同时“勾”字在管子中所对应的背二音孔的存在,与否也是九孔管区别于八孔管的主要特征;当“勾”所对应的管子音孔不存在,同作为鼓吹乐中主奏乐器的八孔管与唢呐在演奏、形制以及与工尺谱对应的一致性关系又为我们开拓了新的理念。其次,通过对“勾凡调”的认识,进一步对胶东道乐四种乐调进行把握,进而将它与传统乐调形式进行比对分析,得出它们之间用调的一致性;通过胶东道乐所用曲牌与全国其它地区相同的曲牌进行音乐本体的比较分析,找出用乐制度下的全国统一性和地方变化性的特点,并进行进一步的研究。再次,通过对“勾凡调曲”的分析把握,将道教如何接衍社会主流音乐,并对其进行改造使用有一个整体的认识;并对传承过程中出现对曲牌混淆的“同曲异名”现象进行比较明确的辨析。道观中能够使用的这些社会主流音乐,通过民间礼俗用乐这一平台,以鼓吹乐的形式服务于民间社会,进而能够使这些用乐形式不断积淀和繁衍,以社会这个大舞台为中心不断传承和发展。
[Abstract]:Chinese traditional music in the thousands of years of history, through the continuous inheritance has been preserved to the present, whether it is ritual music, popular music, folk music, or religious music. There is considerable consistency in music Noumenon central feature law tuner and so on. In this paper, the music in Jiaodong Taoist music "Gofan tune" as a breakthrough point, "hook", "Gofan", "Gofan tune", "Gofan tune" concept of positioning. Then it discusses the related music Noumenon and the inheritance and development of music culture. Firstly, through the understanding of the word "tick", we can master the relationship between the scale spectrum and the pipe. In particular, through the literature, the official system of Qing Dynasty still used the form of nine-hole band combination; At the same time, the existence of the "tick" character in the pipe is also the main characteristic of the nine-hole tube which is different from the eight-hole tube. When the pipe sound hole corresponding to the "hook" does not exist, the same eight hole tube and suona, which are the main instruments in the advocacy music, have opened up a new concept for us to play, form and the consistency relationship with the scale spectrum. Through the understanding of "Gaofan tune", this paper further grasps the four kinds of music tune of Jiaodong Dao music, and then compares it with the traditional music tune form, and obtains the consistency of using tone between them. Through the comparative analysis of the music Noumenon of the same qu cards used in Jiaodong Road Music and other parts of the country, find out the characteristics of the national unity and local variability under the music system, and carry out further research. Through the analysis and grasp of "Fangfan tune", how to accept the mainstream music of Taoism, and how to reform and use it has a whole understanding; The phenomenon of "synonym" appeared in the process of inheritance. These social mainstream music, which can be used in Taoism, serve the civil society with the form of advocating music through the platform of folk rites and customs, and then can make these forms of music accumulate and multiply continuously. Take the society this big stage as the center unceasingly inherits and develops.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J608

【引证文献】