新疆维吾尔族民族乐器音色库的采样与构建

发布时间：2018-01-22 02:50

本文关键词： 新疆维吾尔族乐器音色库数字音频采样技术音乐教育　出处：《新疆师范大学》2009年硕士论文　论文类型：学位论文

【摘要】： 维吾尔族乐器及器乐是新疆少数民族音乐文化的重要组成部分,新疆维吾尔族乐器音色库的构建不仅丰富了中国民族乐器的音色样本库,也是现代科学技术为民族音乐学研究、民族音乐资源开发、民族文化基因保护、多元音乐文化教育所提供的新途径。此外,借助于电脑音乐平台,音色库还直接为音乐创作、音乐表演提供了跨越时空限制的音色素材。本文建立在实验项目-新疆维吾尔族乐器音色库的构建过程之上,对维吾尔族乐器进行了分析、采样以及波表映射等工作,最终完成软件音色库。基于实验与实践的经验,将维吾尔族乐器音色库对音乐研究、音乐教育以及民族文化传承与保护等方面的应用及意义进行了阐述。全文包括六个主要部分: 第一部分,绪论。阐述了新疆维吾尔族乐器音色库建立的意义,并通过对国内外音色库的研究现状调查提出对维吾尔族乐器音色库的研究方法。第二部分,概述了音色库的定义,发展历程以及音色库的现有状况。第三部分,分析数字音频采样技术原理,目前主要使用的数字音频合成方式,采样音频的格式、位数和频率。第四部分,主要描述了新疆维吾尔族乐器音色库的建设过程。第五部分,新疆维吾尔族乐器音色库在学校音乐教育领域的应用前景。第六部分,结论。
[Abstract]:Uygur musical instruments and instrumental music is an important part of Xinjiang minority music culture. The construction of Xinjiang Uygur musical instrument timbre database not only enriches the timbre sample library of Chinese national musical instruments. It is also a new way provided by modern science and technology for ethnomusicology research, ethnic music resource development, ethnic culture gene protection and multi-music culture education. In addition, the computer music platform is used. Timbre library also directly for the creation of music, music performance provides a transcendental constraints of timbre material. In this paper, based on the experimental project-Xinjiang Uygur musical instrument timbre library construction process, Uygur musical instruments analysis, sampling and wave table mapping work. Finally, the software timbre library is completed. Based on the experience of experiment and practice, the application and significance of Uygur musical instrument timbre library to music research, music education, national culture inheritance and protection are expounded. The full text consists of six main parts: The first part, introduction, expounds the significance of the establishment of Uygur musical instrument timbre library in Xinjiang, and puts forward the research method of Uygur musical instrument timbre database through the investigation of the present situation of the domestic and foreign timbre library. In the second part, the definition, development and current situation of timbre library are summarized. In the third part, the principle of digital audio sampling technology, the digital audio synthesis, the format, the number of bits and the frequency of the sampling audio are analyzed. Part 4th mainly describes the construction process of Xinjiang Uygur musical instrument timbre library. In the 5th part, the application prospect of Xinjiang Uygur musical instrument timbre library in the field of school music education. Part 6th, conclusion.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J607

【引证文献】