钢琴表演艺术中的多声部逻辑与音乐语言

发布时间：2018-03-15 08:25

  本文选题：功能和声序进　切入点：音高素材组织　出处：《音乐艺术(上海音乐学院学报)》2009年03期 　论文类型：期刊论文

【摘要】：本文通过对不同时期、不同风格的钢琴音乐文献的分析,阐明了多声部音乐语言的组织形态(基于"功能和声序进"、"音高素材组织"以及"声部进行逻辑"所形成的三种不同类型的多声部织体)之间的联系和区别,对钢琴多声部音乐语言结构作以简要梳理,为钢琴教师提供了一条多声部音乐语言的认识途径,以便更好的促进钢琴教学,提高学生的钢琴演奏水平和音乐鉴赏能力。
[Abstract]:Based on the analysis of piano music literature in different periods and different styles, This paper expounds the relations and differences between the organizational forms of multi-part music language (based on the three different types of polyphonic texture formed by "function and sound sequence", "pitch material organization" and "voice performing logic"). This paper briefly combs the multi-part musical language structure of the piano and provides a way for the piano teachers to understand the multi-part music language so as to promote the piano teaching and improve the students' piano playing level and music appreciation ability.
【作者单位】： 上海音乐学院附中;
【分类号】：J614.1
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本文编号：1615220