生命的旋律——闵惠芬的艺术道路

发布时间：2018-05-04 00:09

  本文选题：生命 + 旋律　； 参考：《中国音乐》2013年01期

【摘要】：正2010年的十一月下旬,我应邀出席了上海音乐学院主办的"2010全国高等音乐艺术院校二胡教学创作学术论坛"。这期间,恰逢《闵惠芬二胡艺术研究文集(第二卷)》的首发式,我出席并欣获由闵惠芬女士本人题签的精装本"第二卷"。当我拿到这本"研究文集"(第二卷)、看到封面上那熟悉的闵惠芬操琴的照片时,似乎体味到了从未有过的感悟。说实话,这是我第一次那么认真地凝视这张早已看过多次的照片,但都没有这一次感到那么地震撼。这是一幅人琴合一、浑然天成的、表现着生命旋律的照片。那凝重而传神的双眸、那充满音乐内涵的面部表情和潇洒大度的演奏姿态,似乎是在借助琴声向人们诉说着人间的悲欢离合与无尽的
[Abstract]:In late November 2010, I was invited to attend the "2010 National Academy of Music and Art Erhu Teaching and creation academic Forum" sponsored by the Shanghai Conservatory of Music. During this period, coincided with the opening ceremony of Min Huifen's works of Art Research on Erhu (Volume 2). When I got this book, Volume 2, I saw the familiar picture of Min Huifen on the cover and seemed to appreciate something I had never felt before. To be honest, this is the first time I've stared so seriously at this photograph I've seen many times before, but it's not as shocking as this one. This is a picture of the harmony of the harp and the harmony of life. That dignified and vivid eyes, that full of musical connotations of the facial expression and chic and magnanimous playing posture, it seems that with the help of the piano to tell people the world's joys and sorrows and endless
【作者单位】： 中央音乐学院;
【分类号】：K825.76;J632.21
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本文编号：1840696