“藏彝走廊”乐舞文化的人文解读

发布时间：2018-05-09 22:15

本文选题：藏彝走廊 + 乐舞文化　；参考：《黄钟(中国.武汉音乐学院学报)》2009年02期

【摘要】："藏彝走廊"学说是在地理分布的基础上将川、滇西部及藏东这一区域作为一个单独的"历史形成的民族地区"来看待。作为民族迁徙走廊,这一地区在漫长的历史演变中逐渐形成了极富特点的文化沉积带,影响了中国西南主要民族及文化构成。由于走廊中各民族以汉藏语系藏缅语族中藏语支和彝语支民族为多,著名社会学家费孝通先生将这一区域称为"藏彝走廊"。以语言区分民族是为重要的民族分类方法。这也影响了其分支学科——民族音乐学。"藏彝走廊"及横断山脉地区,由于诸如地理险峻,交通闭塞等等原因,其乐舞发展还较缓慢,还处于较为"原始"的状态,歌、舞、乐三位一体同时完成某种社会功能。故此,将"藏彝走廊"这一民族学、历史学学术概念引入民族音乐学的研究,不仅在对象上扩大了其研究视域,而且对于民族音乐学的文化视野亦有积极地借鉴作用。
[Abstract]:The theory of "Tibetan and Yi Corridor" is based on the geographical distribution of Sichuan, western Yunnan and eastern Tibet as a separate "historically formed ethnic region". As a national migration corridor, this area has gradually formed a unique cultural sedimentary zone in the long historical evolution, which has affected the main ethnic groups and cultural composition in southwest China. The famous sociologist Fei Xiaotong called this area the "Tibetan corridor" because most of the ethnic groups in the corridor are Tibetan and Yi in the Tibetan and Burmese languages of the Han and Tibetan languages. Language discrimination is an important method of ethnic classification. This also affected its branch of the subject-ethomusicology. " Tibetan and Yi Corridor and Hengduan Mountain area, due to such reasons as geographical precipitousness, traffic block and so on, its music and dance development is still relatively slow, is still in a "primitive" state, song, dance, music trinity to complete a certain social function at the same time. Therefore, the introduction of the "Tibetan and Yi Corridor" and the academic concept of history into the study of ethnomusicology not only expands its research horizon on the object, but also has a positive reference for the cultural vision of ethnomusicology.
【作者单位】：复旦大学;南京艺术学院音乐学院音乐学系;
【分类号】：J607

【共引文献】