“原型批评”理论对音乐分析的启示

发布时间：2018-06-23 13:41

  本文选题：原型批评 + 理论　； 参考：《人民音乐》2013年03期

【摘要】：正一、分析缘起如何有效地对一部音乐作品进行解读?这是长久以来困扰着音乐学家们的问题。约瑟夫·科尔曼认为"分析作为一种形式主义批评,并不处理完整研究音乐时所必须面对的所有或至少是许多的问题。"①因此"对待音乐风格的细节分析,其目的不应该去获取一个时期的规范的(音乐本体)证据,而应该去获取特定音乐作品的艺术特征与个性的背景证据,音乐学当以批评为取向……"②我国于润洋先生则认为"对一部历史上的或是当代的音乐作品所作的
[Abstract]:First, how to analyze the origin of a musical work effectively? This has long been a problem for musicologists. Joseph Coleman believes that "analysis, as a formalistic criticism, does not deal with all or at least many of the problems that must be faced in a complete study of music." Its purpose should not be to obtain the normative (musical ontology) evidence of a period of time, but to obtain the background evidence of the artistic characteristics and personality of a particular musical work. Musicology should be critical. "2 Mr. Yu Runyang of our country believes that" what is done to a historical or contemporary musical work? "
【作者单位】： 上海音乐学院;山东艺术学院;
【分类号】：J605
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本文编号：2057301