《圣母弥撒》的情感内涵与中世纪晚期的圣母崇拜

发布时间：2018-06-24 03:34

本文选题：纪尧姆·德·马肖 + 《圣母弥撒》　；参考：《音乐艺术(上海音乐学院学报)》2009年03期

【摘要】：中世纪晚期法国诗人、作曲家纪尧姆·德·马肖的《圣母弥撒》是西方音乐史上第一部常规复调弥撒套曲。围绕这一里程碑式的作品的创作背景、版本情况、作曲技法和体裁特征,西方音乐学界已有大量研究成果产生。但对于这部伟大作品的内容及其所反映的作曲家乃至其时代的精神特质,由于缺乏直接证据,至今尚无学者论及。本论文将音乐史和文学史、美术史、文化史等领域相贯通,联系作品所产生的广阔历史背景、时代精神、社会心理以及作曲家晚年的个人经历和内心感受,利用大量旁证加以诠释性解读,从而对这一作品可能具有的情感内涵进行大胆地探索。
[Abstract]:The French poet and composer Guillaume de Marshaw in the late Middle Ages was the first conventional polyphonic mass in the history of western music. Around the background, edition, composition techniques and genre features of this landmark work, a great deal of research results have been produced in western musical circles. However, for the content of this great work and the spiritual characteristics of the composer and its era, no scholars have discussed it because of the lack of direct evidence. This paper links music history with literature history, art history, cultural history and so on, and connects with the broad historical background, the spirit of the times, social psychology and the personal experience and inner feelings of the composer in his later years. A great deal of circumstantial evidence is used to interpret the possible emotional connotation of this work.
【作者单位】：上海音乐学院音乐系;
【分类号】：J609.5

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