关于涅高兹钢琴教学法中音色处理的研究

发布时间：2018-07-08 18:48

本文选题：涅高兹 + 音色处理　；参考：《江西师范大学》2010年硕士论文

【摘要】： 钢琴音乐是一门听觉艺术,更是一门声音的艺术。音色是传递钢琴家音乐风格的重要因素之一。音色的优劣直接反映演奏者对作品风格的把握。俄罗斯钢琴演奏家、教育家涅高兹说:“我毫不夸张,在我授课时,四分之三的劳动花在音色的探索上。”这是他在钢琴演奏和钢琴教学中取得巨大成就最关键的源泉之一。本文着重对涅高兹钢琴教学法中音色处理进行系统深入的研究,研究从外因和内因两方面入手,影响音色的外因包括文化素养和艺术趣味,根据这两点深入的分析了涅高兹文化素养和艺术趣味的形成过程,阐述了涅高兹如何建立和改进学生的艺术趣味和音色审美观。决定音色的内因包括触键和踏板,深层剖析了涅高兹触键方法和独特的踏板运用,并将这些方法建立在涅高兹对各个时期作品音色的处理和教学的实例分析上,进一步从歌唱般乐句的处理、珍珠般的触键、多层次音色、艺术形象等角度探讨了涅高兹对音色的处理。
[Abstract]:Piano music is an auditory art, but also an art of sound. Timbre is one of the important factors that transmit the pianist's musical style. The quality of timbre directly reflects the artist's grasp of the style of the work. "I'm not exaggerating," said Russian pianist and educator Negas. "3/4 of my work was spent on the exploration of timbre." This is one of the key sources of his great achievements in piano playing and piano teaching. This paper focuses on the systematic and in-depth study of tone processing in Negalds piano teaching method, and studies the external factors affecting timbre, including cultural literacy and artistic interest, from two aspects: external and internal factors. According to these two points, this paper deeply analyzes the forming process of Negalds' cultural literacy and artistic taste, and expounds how Negalds can establish and improve the students' artistic taste and timbre aesthetics. The internal factors of determining timbre include touch key and pedal, deeply analyze Negalds touch key method and unique pedal application, and base these methods on Negalds' treatment of timbre and teaching example analysis. This paper further discusses Negarz's treatment of timbre from the aspects of singing sentences, pearl-like touch keys, multi-level timbre, artistic image and so on.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

【引证文献】