女高音咏叹调《我的救世主为爱而受死》演唱探究

发布时间：2018-07-11 11:44

本文选题：巴赫 + 马太受难乐　；参考：《南京艺术学院》2010年硕士论文

【摘要】： 巴赫是巴洛克时期的音乐大师,他将巴洛克复调音乐发挥到极致,对后世音乐的发展也产生了重大影响。巴赫的创作带有浓厚的宗教色彩。《马太受难乐》是他宗教声乐作品的顶峰之作,是其一生创作的5部受难乐中最完美的一部。为了更深的了解这部饱含思想性和戏剧性的作品,笔者选取了第49分曲《我的救世主为爱而受死》女高音咏叹调进行演唱分析,站在女高音声乐学习者的角度来理解这部作品。文章对创作背景、音乐特点和演唱艺术处理等问题进行了深入的研究,围绕巴洛克音乐风格和美声唱法特点来阐述演唱要点。希望通过思考和写作,可以更好的理解《马太受难乐》和巴赫声乐作品,更好的学习和演唱巴洛克时期的咏叹调,真正提高演唱水平。
[Abstract]:Bach, the master of the Baroque music, exerts a great influence on Baroque polyphony, and has a great influence on the development of later music. Bach's creation has a strong religious color. "Matthew" is the top work of his religious vocal works, the most perfect one of his 5 victims in his life. In a deep understanding of this thoughtful and dramatic work, the author chooses the forty-ninth sub song, "My Savior is dead for love, and the soprano arias", and stands in the angle of the soprano vocal learners to understand this work. The article makes an in-depth study of the creation background, the music characteristics and the performance of the singing art. The main points of singing are discussed around Baroque music style and singing style. Through thinking and writing, I hope to better understand "Matthew crucifixion" and Bach's vocal music works, to better study and sing the Baroque arias, and to improve the performance of the singing.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J616.2

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