论现代文化视阈下我国原生态民歌的生存与保护
发布时间：2018-09-06 06:50
【摘要】： 随着经济全球化的不断深入发展,各国文化相互交流、相互融合的趋势越来越明显,整体上正呈现出一体化的趋势,其典型表现就是西方现代文化正在以其强大的“渗透性”和“霸权性”深刻地影响和改变着各国的民族文化,各国的本民族文化正在或多或少地披上西方现代文化的“现代性”这一鲜艳的外衣,世界各国文化趋向现代性(或者说是趋向西方性)已是不可阻挡的时代潮流。作为我国优秀传统文化重要组成部分的原生态民歌也不例外。在西方现代文化特别是西方现代音乐文化的强势影响和渗透下,原生态民歌生存与发展遇到了很大的挑战,面临着诸多困境。一方面,原生态民歌生存与发展的“硬”环境受到很大冲击,即面临着主流音乐文化的排斥、挤压,走向边缘化。另一方面,由于现代化、城市化与外来流行文化的影响与冲击,原有少数民族地区和偏远山区在内的生态环境遭到了不同程度的破坏和改变,人们维持了几千年的生产生活习惯、民俗、思维方式等都在现代文化的渗透下,发生着潜移默化的改变,这是不以人的意志为转移的。因此,维系原生态民歌传承与发展的良性循环机制正在遭受破坏。可以说,对原生态民歌的保护工作已经迫在眉睫。因此,原生态民歌的保护工作应该成为当今各级政府部门的紧迫任务,同时也应该激起广大科研理论工作者的理论勇气与研究热情。但由于各种原因,目前国内关于原生态民歌的专门系统的研究还付之阙如。而今,原生态民歌的生存现状及发展态势向我们提出了加强相关理论建设的必要性和重要性。因此,本文首次尝试以现代文化为视阈对原生态民歌进行重新审视,并试图对它的概念、特点、原因、生存现状进行相应的理论探讨,最后从静态与动态两个方面对原生态民歌保护的具体措施进行系统阐述。不过,由于原生态民歌自身所特有的民族性及地域性这一特点,这就使尽可能地深入各个地区和民族进行调查研究从而收集“第一手资料”这种方式变得不太可能,因此本文主要以文献研究为主,通过最大程度地收集国内有关原生态民歌的研究文献,通过对这些“第二手资料”进行仔细甄别、细致分析,归纳出本项研究所需要的“事实”。当然,因本文研究主题领域之所需,文化学、美学、心理学、社会学、传播学等理论知识也是必备的,所以尽可能多地运用当今最新的各种学科背景知识也是本文的一大特色。最后,历史分析方法贯穿本文的各章节之中。
[Abstract]:With the deepening development of economic globalization, the trend of cultural exchanges and mutual integration between countries is becoming more and more obvious, and the overall trend of integration is taking on a trend of integration. Its typical manifestation is that the western modern culture is profoundly influencing and changing the national culture of various countries with its strong "permeability" and "hegemony". The national culture of various countries is more or less wearing the bright coat of "modernity" of the western modern culture, and it is an irresistible trend of the times that the cultures of all the countries in the world tend to modernity (or to the west). As an important part of Chinese traditional culture, the original ecological folk song is no exception. Under the strong influence and infiltration of the western modern culture, especially the western modern music culture, the survival and development of the original folk songs meet with great challenges and face many difficulties. On the one hand, the "hard" environment for the survival and development of the original ecological folk songs is greatly impacted, that is, facing the exclusion, extrusion and marginalization of the mainstream music culture. On the other hand, due to the influence and impact of modernization, urbanization and foreign popular culture, the ecological environment of the original minority areas and remote mountain areas has been damaged and changed to varying degrees. People have maintained thousands of years of production and life habits, folklore, mode of thinking and so on under the infiltration of modern culture, there is a subtle change, this is not to change the will of people. Therefore, the virtuous circle mechanism which maintains the original ecological folk song inheritance and development is being destroyed. It can be said that the protection of the original ecological folk song work has been imminent. Therefore, the protection of original ecological folk songs should become an urgent task for government departments at all levels, and at the same time, it should arouse the theoretical courage and enthusiasm of scientific research theorists. However, due to various reasons, the current domestic research on the original ecological folk songs of the special system is still lacking. Now, the existing situation and development situation of the original ecological folk song put forward the necessity and importance of strengthening the relevant theory construction. Therefore, this article first attempts to take the modern culture as the visual threshold to carry on the re-examination to the original ecology folk song, and attempts to carry on the corresponding theoretical discussion to its concept, the characteristic, the reason, the survival present situation. Finally, from static and dynamic aspects of the original ecological folk song protection specific measures are systematically expounded. However, due to the unique national and regional characteristics of the original ecological folk song itself, this makes it impossible to carry out investigations and studies as far as possible in various regions and nationalities in order to collect "first-hand information". Therefore, this paper mainly focuses on literature research, through the largest collection of domestic research literature on the original ecological folk songs, through the "second-hand materials" for careful screening, careful analysis, Generalize the "facts" needed for this study. Of course, the theoretical knowledge of culture, aesthetics, psychology, sociology, communication and so on is also necessary, so it is a major feature of this paper to use as much background knowledge as possible. Finally, the historical analysis method runs through each chapter of this article.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
本文编号：2225578
[Abstract]:With the deepening development of economic globalization, the trend of cultural exchanges and mutual integration between countries is becoming more and more obvious, and the overall trend of integration is taking on a trend of integration. Its typical manifestation is that the western modern culture is profoundly influencing and changing the national culture of various countries with its strong "permeability" and "hegemony". The national culture of various countries is more or less wearing the bright coat of "modernity" of the western modern culture, and it is an irresistible trend of the times that the cultures of all the countries in the world tend to modernity (or to the west). As an important part of Chinese traditional culture, the original ecological folk song is no exception. Under the strong influence and infiltration of the western modern culture, especially the western modern music culture, the survival and development of the original folk songs meet with great challenges and face many difficulties. On the one hand, the "hard" environment for the survival and development of the original ecological folk songs is greatly impacted, that is, facing the exclusion, extrusion and marginalization of the mainstream music culture. On the other hand, due to the influence and impact of modernization, urbanization and foreign popular culture, the ecological environment of the original minority areas and remote mountain areas has been damaged and changed to varying degrees. People have maintained thousands of years of production and life habits, folklore, mode of thinking and so on under the infiltration of modern culture, there is a subtle change, this is not to change the will of people. Therefore, the virtuous circle mechanism which maintains the original ecological folk song inheritance and development is being destroyed. It can be said that the protection of the original ecological folk song work has been imminent. Therefore, the protection of original ecological folk songs should become an urgent task for government departments at all levels, and at the same time, it should arouse the theoretical courage and enthusiasm of scientific research theorists. However, due to various reasons, the current domestic research on the original ecological folk songs of the special system is still lacking. Now, the existing situation and development situation of the original ecological folk song put forward the necessity and importance of strengthening the relevant theory construction. Therefore, this article first attempts to take the modern culture as the visual threshold to carry on the re-examination to the original ecology folk song, and attempts to carry on the corresponding theoretical discussion to its concept, the characteristic, the reason, the survival present situation. Finally, from static and dynamic aspects of the original ecological folk song protection specific measures are systematically expounded. However, due to the unique national and regional characteristics of the original ecological folk song itself, this makes it impossible to carry out investigations and studies as far as possible in various regions and nationalities in order to collect "first-hand information". Therefore, this paper mainly focuses on literature research, through the largest collection of domestic research literature on the original ecological folk songs, through the "second-hand materials" for careful screening, careful analysis, Generalize the "facts" needed for this study. Of course, the theoretical knowledge of culture, aesthetics, psychology, sociology, communication and so on is also necessary, so it is a major feature of this paper to use as much background knowledge as possible. Finally, the historical analysis method runs through each chapter of this article.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
【引证文献】
相关硕士学位论文 前3条
1 田薛;地方文化风情歌舞热探析[D];福建师范大学;2011年
2 丁相明;拉祜族民歌的文化内涵及其音乐特征研究[D];云南大学;2012年
3 崔迎杰;中国少数民族音乐在电视媒体中的传播、发展与变迁分析[D];中央民族大学;2013年
，本文编号：2225578
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