戏曲唱腔流派与“以演员为中心”体制
发布时间：2019-04-09 07:40
【摘要】：在我国一些戏曲剧种中,流派纷呈,风格独特,是唱腔音乐发展到了成熟阶段的重要标志。唱腔流派是"以演员为中心"体制的产物。传统戏曲流派的特点是将编曲的第一度创作与演唱的第二度创造集于演员一身。随着时代的发展,20世纪50年代以来,戏曲音乐创作体制逐渐由"以演员为中心"向"由作曲家统筹"转化。在"由作曲家统筹"主导下的方式,便失去了产生流派的温床。本文提出,为了繁荣戏曲艺术,应当让"以演员为中心"与"由作曲家统筹"体制并存,各显其能,互存共荣。
[Abstract]:In some operas of our country, the genres are various and the style is unique, which is an important symbol of the mature stage of singing music. The singing genre is the product of the "actor-centered" system. The characteristic of traditional opera school is to integrate the first creation and the second creation of singing into actors. With the development of the times, since the 1950s, the opera music creation system has gradually changed from "actor-centered" to "orchestrated by composers". In a way dominated by composer co-ordination, the hotbed of genres is lost. In order to prosper the art of opera, we should co-exist the system of "actor-centered" and "orchestrated by composers", showing each other's abilities and mutual prosperity.
【作者单位】： 湖南理工学院音乐系;国家非物质文化遗产保护工作专家委员会;中国戏曲音乐理论研究会;
【分类号】：J617.5
，
本文编号：2454974
[Abstract]:In some operas of our country, the genres are various and the style is unique, which is an important symbol of the mature stage of singing music. The singing genre is the product of the "actor-centered" system. The characteristic of traditional opera school is to integrate the first creation and the second creation of singing into actors. With the development of the times, since the 1950s, the opera music creation system has gradually changed from "actor-centered" to "orchestrated by composers". In a way dominated by composer co-ordination, the hotbed of genres is lost. In order to prosper the art of opera, we should co-exist the system of "actor-centered" and "orchestrated by composers", showing each other's abilities and mutual prosperity.
【作者单位】： 湖南理工学院音乐系;国家非物质文化遗产保护工作专家委员会;中国戏曲音乐理论研究会;
【分类号】：J617.5
，
本文编号：2454974
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