福建钢琴音乐发展历史研究

发布时间：2019-05-06 22:54

【摘要】：本文研究的范围是钢琴传入福建至今一百多年来的发展历史,包括钢琴演奏、教育、创作以及相关产业等方面的发展与演变,福建籍钢琴演奏家、教育家、作曲家,以及在福建工作过、对福建钢琴音乐发展有重要影响的相关人物及其相关事件。笔者试图通过较为广泛而深入地查考福建的民国档案、民国报刊、地方文献、当代刊物、网络资讯等相关史料,结合访谈见证福建钢琴艺术发展的前辈,运用历史学、音乐学、教育学、社会学、传播学等学科理论和方法进行综合梳理,以科学审慎的态度对待史料,尽可能真实地还原福建近现代历史上钢琴音乐的发展脉络和整体面貌,总结其发展缘起、阶段特征,深入探究钢琴音乐与地方文化之间的相互作用与密切关联。力求开拓中国钢琴艺术发展史的研究思路,充实中国钢琴艺术史的区域性研究成果,为福建地方历史文化研究提供钢琴音乐发展方面的资料和补充。全文共分五章,前四章结合福建近现代发展阶段的历史背景,梳理福建钢琴音乐发展四个历史时期(萌芽期、初步发展期、曲折前进期和逐步繁荣期)的各个方面。第五章分析了福建钢琴音乐发展的三个特征,从近代基督教传播、福建人文地理、闽南文化三个方面的影响和作用,探究福建钢琴音乐发展的成因。本文认为：钢琴音乐是福建文化发展中的一个组成部分,它的发展与近代以来福建文化的整体发展同步。福建的钢琴音乐发展体现出鲜明的时代性、地域性和开放性特征。时代变迁、文化发展的需要对福建钢琴音乐发展起着决定性作用。福建音专钢琴教育和鼓浪屿钢琴文化在福建钢琴音乐发展史上有着重要的地位,前者在20世纪上半叶的福州地区,后者在闽南地区,受不同地域文化的作用和影响,两者的发展特征和时代意义不同。尤其是独具一格的鼓浪屿钢琴文化,在近代基督教传播与闽南海洋文化的相互作用和影响下,形成了鲜明而突出的区域性特征,成为闽南文化的新生事物之一,是中国新音乐发展史上一个独特的现象,对于当代中国钢琴音乐发展具有显著意义。
[Abstract]:The scope of this study is the history of piano introduction to Fujian for more than one hundred years, including the development and evolution of piano playing, education, creation and related industries, Fujian pianist, educator, composer, and so on. And has worked in Fujian, has an important impact on the development of Fujian piano music and related events. The author tries to examine the relevant historical materials such as the archives of the Republic of China, the newspapers and periodicals of the Republic of China, local documents, contemporary publications, network information and other relevant historical materials through a more extensive and in-depth examination, combined with interviews with the predecessors who witnessed the development of the piano art in Fujian, using history, music, and so on. The theories and methods of pedagogy, sociology, communication and so on are comprehensively combed, the historical materials are treated scientifically and prudently, and the development vein and overall appearance of piano music in the modern and modern history of Fujian are restored as truly as possible. Summarize the origin of its development, the characteristics of stages, explore the interaction and close relationship between piano music and local culture. This paper tries to open up the research ideas of the development history of Chinese piano art, enrich the regional research results of the history of Chinese piano art, and provide the information and supplement for the development of piano music for the study of local history and culture in Fujian. This paper is divided into five chapters. The first four chapters combine with the historical background of Fujian's modern and modern development stage, and sort out the four historical periods of Fujian piano music development (sprouting period, initial development period, winding forward period and gradually prosperous period). The fifth chapter analyzes the three characteristics of the development of piano music in Fujian, and probes into the causes of the development of piano music in Fujian from three aspects: the spread of Christianity in modern times, the humanistic geography of Fujian, and the culture of southern Fujian. This paper holds that piano music is an integral part of the development of Fujian culture, and its development coincides with the overall development of Fujian culture since modern times. The development of piano music in Fujian embodies the distinctive characteristics of the times, regions and openness. The change of times and the need of cultural development play a decisive role in the development of Fujian piano music. Piano education and Gulangyu piano culture play an important role in the history of piano music development in Fujian. The former was in Fuzhou in the first half of the 20th century, and the latter was influenced by different regional cultures in southern Fujian. Their development characteristics and the significance of the times are different. In particular, the unique Gulangyu piano culture, under the interaction and influence between the spread of Christianity in modern times and the marine culture in southern Fujian, has formed distinct and prominent regional characteristics, and has become one of the new things in the culture of southern Fujian. It is a unique phenomenon in the history of Chinese new music development, which is of great significance to the development of contemporary Chinese piano music.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J624.1

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