中国当代手风琴音乐传播研究
发布时间：2019-06-21 11:23
【摘要】： 本文以中国当代手风琴音乐发展史为基本依据,以中国当代手风琴音乐传播方式及受众为主要研究对象,试图依凭传播学的研究方法,从社会文化的角度,对中国当代手风琴音乐传播概况进行分析,进一步探讨中国当代手风琴音乐传播的特征。 全文共分为三章: 第一章中国当代手风琴音乐传播情况概述。本章主要选取了两个音乐传播较为集中且影响力较大的阶段(新中国成立后的“五六十年代”与改革开放后的“八九十年代”)对中国当代手风琴音乐传播情况进行了总结。 第二章中国当代手风琴音乐传播方式及受众。本章分析和探讨中国当代手风琴音乐的传播方式,受众范畴、受众特点及受众参与对手风琴音乐传播产生的影响。 第三章中国当代手风琴音乐传播的总结与展望。探讨中国当代手风琴音乐传播的特征,并对今后中国手风琴音乐该如何传播提出一些建议。 中国当代手风琴音乐传播是特定社会环境下的产物,手风琴凭借便携性、表现力丰富等优势不仅适应了时代发展,而且其作品的民族性、演奏形式的多样性、教育和娱乐功能也满足了人民大众精神生活的需要。本文认为未来中国手风琴音乐需要在重视音乐教育发展的基础上,建立多元化的传播理念,同时创建出具有传播效应的名人形象以进一步推动中国手风琴音乐的传播和发展。
[Abstract]:Based on the development history of Chinese contemporary accordion music, and taking the communication mode and audience of Chinese contemporary accordion music as the main research object, this paper tries to analyze the general situation of Chinese contemporary accordion music communication from the perspective of social culture and further explore the characteristics of Chinese contemporary accordion music communication according to the research methods of communication. The full text is divided into three chapters: the first chapter is an overview of the spread of Chinese contemporary accordion music. This chapter mainly selects two stages of music communication which are concentrated and influential (the 1950s and 1960s after the founding of the people's Republic of China and the 1980s and 1990s after the reform and opening up) to summarize the music dissemination of the contemporary accordion in China. The second chapter is about the communication mode and audience of Chinese contemporary accordion music. This chapter analyzes and discusses the communication mode, audience category, audience characteristics and the influence of audience participation on accordion music dissemination in contemporary Chinese accordion music. The third chapter is the summary and prospect of Chinese contemporary accordion music dissemination. This paper probes into the characteristics of the dissemination of Chinese contemporary accordion music, and puts forward some suggestions on how to spread Chinese accordion music in the future. The spread of Chinese contemporary accordion music is the product of a specific social environment. Accordion not only adapts to the development of the times by virtue of its portability and rich expressive force, but also meets the needs of the people's spiritual life by virtue of the nationality of its works, the diversity of playing forms, and the functions of education and entertainment. This paper holds that in the future, Chinese accordion music needs to establish a diversified communication concept on the basis of paying attention to the development of music education, and at the same time create a celebrity image with communication effect in order to further promote the dissemination and development of Chinese accordion music.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.3
本文编号：2504041
[Abstract]:Based on the development history of Chinese contemporary accordion music, and taking the communication mode and audience of Chinese contemporary accordion music as the main research object, this paper tries to analyze the general situation of Chinese contemporary accordion music communication from the perspective of social culture and further explore the characteristics of Chinese contemporary accordion music communication according to the research methods of communication. The full text is divided into three chapters: the first chapter is an overview of the spread of Chinese contemporary accordion music. This chapter mainly selects two stages of music communication which are concentrated and influential (the 1950s and 1960s after the founding of the people's Republic of China and the 1980s and 1990s after the reform and opening up) to summarize the music dissemination of the contemporary accordion in China. The second chapter is about the communication mode and audience of Chinese contemporary accordion music. This chapter analyzes and discusses the communication mode, audience category, audience characteristics and the influence of audience participation on accordion music dissemination in contemporary Chinese accordion music. The third chapter is the summary and prospect of Chinese contemporary accordion music dissemination. This paper probes into the characteristics of the dissemination of Chinese contemporary accordion music, and puts forward some suggestions on how to spread Chinese accordion music in the future. The spread of Chinese contemporary accordion music is the product of a specific social environment. Accordion not only adapts to the development of the times by virtue of its portability and rich expressive force, but also meets the needs of the people's spiritual life by virtue of the nationality of its works, the diversity of playing forms, and the functions of education and entertainment. This paper holds that in the future, Chinese accordion music needs to establish a diversified communication concept on the basis of paying attention to the development of music education, and at the same time create a celebrity image with communication effect in order to further promote the dissemination and development of Chinese accordion music.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.3
【引证文献】
相关硕士学位论文 前2条
1 姚妍;谢苗诺夫巴扬作品〈狂想曲—致勃拉姆斯〉研究[D];天津音乐学院;2011年
2 莫yN;中国手风琴教学的历史回顾与现状研究[D];南京艺术学院;2010年
，本文编号：2504041
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