当前位置:主页 > 文艺论文 > 器乐论文 >

钢琴演奏中内心听觉的培养

发布时间:2018-03-03 21:02

  本文选题:钢琴演奏 切入点:内心听觉 出处:《天津音乐学院》2013年硕士论文 论文类型:学位论文


【摘要】:内心听觉作为音乐心理学的一个重要内容,一直得到众多音乐学者的重视。近年来,这种“于无声处听有声”的能力也开始慢慢受到广大音乐教育者和学习者的关注。内心听觉是一种大脑基于以往听到的音乐与新发生的音乐音响相结合的心理活动,具有一定的先导性,在音乐表演中具有重要的作用。相对于实际听到的音乐,内心听觉往往不会受到实际音响的影响,不需要触动听觉器官的感受,而是在大脑里想象出近似于某种实际音乐的音响。研究认为,人类都是有一定的记忆能力的。通常人们也是具有不同程度的内心听觉能力的,在大脑中记忆的音乐,经过多次反复聆听和训练,内心听觉的能力会得到逐步提高。而这种能力的提高也是提高音乐理解能力和实际演奏能力的一个主要方面,这在音乐表演及教学过程中具有重要的作用。在钢琴演奏中学习和培养演奏者对优质音响的感知能力,以敏锐的音乐听觉和优质的音色做保证,从而提高演奏者的内心听觉能力可以更精确的理解把握音乐作品。因此,在钢琴演奏中培养内心听觉是有重要意义的。 本文将内心听觉与钢琴学习相结合,提出钢琴学习中内心听觉训练方法,把内心听觉的培养贯穿整个钢琴学习的过程,强调学习者应该用脑去思考,用心去感受,用听觉去掌控,做到更直观更准确地表现乐曲所要表达的情感。文章开头先整体介绍内心听觉的概念和功能,之后分为两个部分:第一部分研究当前钢琴学习的各个过程中,演奏者应具备的内心听觉能力以及可能出现的各种问题;第二部分阐述钢琴学习的内心听觉训练方法,从学琴前的音乐接触,到初期阶段的钢琴学习,再到提高阶段中的钢琴学习,对整个学习过程中如何更好地把握内心听觉的涵义进行论述和总结,让更多学习者和教育者能够注重内心听觉能力在钢琴学习中的发展和培养。
[Abstract]:As an important part of music psychology, inner hearing has been paid much attention by many music scholars in recent years. This ability to "listen to sound in silence" is also beginning to gain the attention of music educators and learners. Inner hearing is a psychological activity of the brain based on the combination of previously heard music and newly occurring musical acoustics. It has a certain forerunner and plays an important role in music performance. Compared with the music actually heard, the inner hearing is often not affected by the actual sound, and does not need to touch the feeling of the auditory organ. It's about imagining sounds in the brain that are similar to some kind of actual music. Research suggests that humans have a certain degree of memory. Usually people also have varying degrees of inner hearing, music that they memorize in the brain. After repeated listening and training, the ability of inner hearing is gradually improved, and this ability is also a major aspect of improving the ability to understand music and to play in practice. This plays an important role in the process of music performance and teaching. Therefore, it is of great significance to improve the player's inner hearing ability to understand and grasp the music works more accurately, therefore, it is of great significance to cultivate the inner hearing in piano playing. This paper combines inner hearing with piano learning, and puts forward the training method of inner hearing in piano learning, which runs through the whole process of piano learning and emphasizes that learners should think and feel with their brains. The first part of the article introduces the concept and function of inner hearing, then it is divided into two parts: the first part studies each process of piano learning. The second part expounds the inner hearing training methods of piano learning, from the musical contact before learning piano to the piano learning in the early stage. Then to improve the stage of piano learning, the whole process of learning how to better grasp the meaning of inner hearing is discussed and summarized, so that more learners and educators can pay attention to the development and cultivation of inner hearing ability in piano learning.
【学位授予单位】:天津音乐学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J624.1

【参考文献】

相关期刊论文 前5条

1 陈建忠;;论钢琴教学中的听觉训练[J];大众文艺;2011年06期

2 黄再光;走出儿童学习钢琴的误区[J];广西教育;2004年07期

3 石蔚;内心音乐听觉特征探析[J];南京艺术学院学报(音乐及表演版);2003年03期

4 张月;;在钢琴教学中如何培养乐感[J];乐器;2011年02期

5 刘荣弟;论钢琴演奏听觉能力培养[J];艺术教育;2005年01期



本文编号:1562672

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/qiyueyz/1562672.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户b6c09***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com