谢苗诺夫巴扬手风琴作品《奏鸣曲第一号》—音乐本体与演奏技术初探

发布时间：2018-03-04 06:41

本文选题：《奏鸣曲第一号》　切入点：谢苗诺夫　出处：《上海音乐学院》2013年硕士论文　论文类型：学位论文

【摘要】：维切斯拉夫·谢苗诺夫(Viatcheslav Semionov)(1946年3月29日——)是当代手风琴界中集演奏、教学、和创作于一身的国际著名手风琴演奏家、教育家及作曲家。他是俄罗斯手风琴界中仅三位获得最高殊荣——“人民艺术家”称号的音乐家之一,更是推动自由低音手风琴蓬勃发展的不竭动力。他不仅自身几乎囊获了手风琴界重大比赛的桂冠,在教学中也创立了属于自己的学派,著名的手风琴演奏家希什金就出自他的门下。不仅如此,他在手风琴音乐创作方面的贡献也极为突出。《奏鸣曲第一号》便是他为自由低音巴扬手风琴所创作的重要作品之一。谢苗诺夫《奏鸣曲第一号》这首作品,本人已在学位音乐会及比赛中多次演奏。作为这首作品的演奏者,本人试图着重对作品的演奏技术进行研究,同时对作曲家写作时的情感意境以及曲式、和声、音乐本体素材进行相关分析,从而有助于演奏者在演奏及学习这首作品时的技术处理和灵活应用以更为准确的表达作曲家的写作意图,揭示作品的音乐内涵,力争为手风琴专业教学及完美演绎谢苗诺夫手风琴音乐作品等方面作出自己的努力。本文分为三个部分：第一部分是引言。该部分主要介绍笔者选择《奏鸣曲第一号》作为硕士论文研究对象的目的和意义,以及对国内外研究现状的介绍,对作品有一个总体的把握。第二部分是正文、正文分为三章。第一章主要通过梳理谢苗诺夫的生平成就及所处的历史背景来探索《奏鸣曲第一号》的创作背景及作品构思。第二章主要是对《奏鸣曲第一号》这首作品的音乐本体分析。涉及到《奏鸣曲第一号》的结构布局、和声、以及节奏特点等。第三章主要是对《奏鸣曲第一号》这首作品的演奏技术分析。涉及到右手技术分析,左手技术分析,风箱技术分析,以及变音器的运用(音色音响)等。第三部分是结论《奏鸣曲第一号》是谢苗诺夫音乐作品中传统与现代作曲技法巧妙结合的典范。乐曲中个性鲜明的音乐形象和气势恢宏的音乐旋律凸显其博大精深的文化底蕴和宽广深邃的音乐思想。本人通过上述较为全面的研究分析,力图竭己之力为手风琴演奏者完美演绎谢苗诺夫的手风琴音乐作品提供参考和帮助。
[Abstract]:Viatcheslav Semionovo (March 29th 1946) is a famous international accordion player who plays, teaches, and creates accordions. Educator and composer. He is one of only three highest-ranking musicians in the Russian accordion world, the people's Artist, He not only won the title of the accordion competition, but also created his own school in teaching. Hishkin, a famous accordion player, came from his family. Not only that, but his contribution to accordion music was also outstanding. "Sonata No. 1" is one of his important works for the free bass Bayan accordion. This work of Semyonov Sonata No. 1 has been performed many times in degree concerts and competitions. As a performer of this work, I have tried to focus on the study of the performance techniques of the work. At the same time, the author analyzes the emotional mood and the composition, harmony and music material of the composer. Therefore, it is helpful for the performer to deal with and apply flexibly the techniques in performing and learning this work in order to express the composer's writing intention more accurately and to reveal the musical connotation of the work. Strive for accordion professional teaching and perfect interpretation of Semyonov accordion music works and other aspects to make their own efforts. This paper is divided into three parts:. The first part is the introduction. This part mainly introduces the purpose and significance of the author to choose Sonata No. 1 as the research object of the master's thesis, and introduces the present situation of the research at home and abroad, and has a general grasp of the works. The second part is the text, the text is divided into three chapters. The first chapter explores the background and conception of Sonata No. 1 by combing Semyonov's achievements and historical background. The second chapter mainly analyzes the music Noumenon of Sonata No. 1, which involves the structure layout, harmony and rhythm characteristics of Sonata No. 1. The third chapter is mainly about the technical analysis of the performance of Sonata No. 1, which involves the technical analysis of the right hand, the left hand, the bellows, and the use of the phonograph (tone sound) and so on. The third part is the conclusion. "Sonata No. 1" is an example of the skillful combination of traditional and modern composing techniques in Semyonov's musical works. The distinctive musical image and magnificent musical melody in the music highlight its rich and profound cultural background and profound cultural background. Broad and profound musical thoughts. Through the above more comprehensive research and analysis, Try hard to provide reference and help for accordion players to interpret Semyonov's accordion music.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.3;J614

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