无调性音高理论中的对称理论与音级集合理论

发布时间：2018-03-22 14:52

本文选题：音高组织　切入点：调性　出处：《上海音乐学院》2005年硕士论文　论文类型：学位论文

【摘要】：本文以后调性时期中较为成熟并有较大影响的两种理论体系——对称理论与音级集合理论作为研究对象。首先以音高组织体系中“材料单位的确定和还原”、“‘中心’的表现形式以及确立方式”作为基本参照点,通过对二十世纪各风格流派音乐作品中的音高组织现象以及理论思路的梳理,试图对“调性”的表现方式以及与“无调性”的关系进行分析。在对后调性理论文献作了初步的梳理的基础上,本文针对“对称理论”与“音级集合理论”的材料与组织逻辑的理论思路分别进行了梳理与阐述,将“对称理论”分为“非功能调性音乐作品音高组织的对称性”、“循环集合”和“十二音调性”三个层次,将“音级集合理论”分为“作为基本材料的音级集合”、“音级集合之间的联系方式”和“集合结合体与结构功能”三个层次。进而,通过二者之间的比较,并结合西方音乐及其音高组织理论的历史发展进程,寻找这两种音高组织理论各自突现出的思维发展脉络与切入视角的渊源。并从音程结合作为构建材料的结构功能、“中心”的建构、对称原则等角度进行进一步的观察,试图更深入认识理解无调性音乐及其理论的本质。最后,对音高组织理论在音乐作品中以及整体的分析理论中的功能与价值做出判断。
[Abstract]:Two kinds of theory systems, symmetry theory and sound level set theory, which are more mature and have great influence in the later tonality period of this paper, are taken as research objects. Firstly, "determination and reduction of material units", "Center" in pitch structure system is taken as the research object. As a basic reference point, By combing the phenomenon of pitch organization and the theoretical ideas in various genres of music in the 20th century, This paper attempts to analyze the expression of "tonality" and its relationship with "anatonicity". In this paper, the theoretical ideas of material and organization logic of "symmetry theory" and "sound level set theory" are combed and expounded respectively. The theory of symmetry is divided into three levels: "Symmetry of pitch organization of non-functional musical works", "cyclic set" and "twelve tones". The theory of sound level set is divided into three levels: "the sound level set as the basic material", "the way of connection between the sound level sets" and "the combination of the set and the structure function". Combining with the historical development of western music and its pitch organization theory, Looking for the origin of the thought development and angle of view of the two kinds of pitch organization theory, and making further observation from the angle of the combination of interval as the structural function of construction material, the construction of "center", the principle of symmetry, etc. This paper tries to understand the essence of atonal music and its theory deeply. Finally, it makes a judgment on the function and value of pitch organization theory in music works and in the whole analysis theory.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J613.6

【引证文献】