从《他山集》等几部钢琴曲看中国作品的演奏及教学

发布时间：2018-05-27 12:05

本文选题：中国 + 钢琴演奏　；参考：《天津音乐学院》2006年硕士论文

【摘要】： 钢琴作为一件西洋乐器，融合在古老的中华民族文化土壤中已近百年时间。在这百年间，中国钢琴音乐历经了几代人的辛勤劳动和汗水浇灌，发展到今天相对繁荣的局面。但它毕竟是外来文化，我们在吸收的同时也会发生一些碰撞，而中国钢琴音乐作品正是西洋音乐文化与本土文化撞击与对话的结果。中国钢琴音乐是在西方影响下产生的，不免带有西方痕迹，但它不仅饱含着中国作曲家的创造，而且植根于本土文化传统，，故其中国特色不言而喻。本文以《他山集》等几部中国作品为触角，以中国钢琴作品演奏特点为载体，探索教学中的中国特色。文章以中国钢琴作品中的旋律化、装饰化和神韵三个问题为主线，透过《他山集》等几部钢琴作品，简要分析以上三点在中国钢琴音乐作品中的表现，以此为基础，对中国钢琴音乐的演奏特色进行粗浅的归纳总结，同时对中国钢琴音乐中的旋律化、装饰化和神韵进行辨证的分析整合，试图通过这一途径对中国钢琴音乐的教学有一点建设性的提示。笔者通过阅读大量相关书籍、论文，听取音响资料，吸取前人研究成果等手段，对该课题进行深入思考和研究。希望这一课题的研究能为中国钢琴音乐的演奏和教学开辟思路，使更多的人投身到中国钢琴艺术这项事业中来，以促进中国钢琴音乐的繁荣和发展。
[Abstract]:As a western musical instrument, piano has been integrated in the ancient Chinese culture for nearly 100 years. In the past hundred years, Chinese piano music has developed into a relatively prosperous situation after several generations of hard work and sweat watering. But it is a foreign culture after all, and some collisions will occur while we absorb it, and the Chinese piano music works are the result of the collision and dialogue between the western music culture and the native culture. Chinese piano music is produced under the influence of the West, which inevitably bears the western trace, but it not only contains the creation of Chinese composers, but also rooted in the local cultural tradition, so its Chinese characteristics are self-evident. In this paper, some Chinese works, such as "Tashan Ji", are used as tentacles and the characteristics of Chinese piano works as the carrier to explore the Chinese characteristics in teaching. Based on the three problems of melody, decoration and charm in Chinese piano works, this paper briefly analyzes the performance of the above three works in Chinese piano music works through his Mountain Collection and other piano works. This paper summarizes the performance characteristics of Chinese piano music, and analyzes and integrates the melody, decoration and charm in Chinese piano music. This paper tries to give some constructive hints to the teaching of piano music in China. By reading a large number of relevant books, papers, listening to audio materials, and absorbing the previous research results, the author deeply pondered and studied the subject. It is hoped that the research on this subject can open up ideas for the performance and teaching of Chinese piano music, and enable more people to devote themselves to the cause of Chinese piano art, so as to promote the prosperity and development of Chinese piano music.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1

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