寻找全新的自我存在——韩国音乐学研究的历史进程与展望

发布时间：2018-05-28 19:20

本文选题：音乐学 + 韩国音乐学　；参考：《中国音乐学》2011年04期

【摘要】：19世纪末,西方音乐开始传入韩国,对韩国的文化教育产生重要影响并引发诸多变化,随之也带来了所谓"洋乐"和"国乐"的两分化现象。在这一过程中,韩国音乐界主要集中于创作和演奏,而学术性的音乐研究则表现得非常贫弱。在这样的背景之下,韩国音乐学直到上世纪80年代初,才通过体系化的构建和学术性研究,开始在音乐界占据一席之地。韩国的音乐学研究,大致可以分为集中于西洋音乐学的接受与研究的倾向和追求民族主义性音乐学研究的倾向。这两种倾向在共存的同时,也主导着韩国的音乐学研究。进入21世纪后,学界开始超越原有的两种倾向,探寻所谓"第三条路"。本论文主要对自上世纪80年代初至今的韩国音乐学研究倾向进行考察,将上述三种研究倾向的出发点、学术立场、具体研究,与社会文化观点相结合进行论述。特别是所谓"第三条路"的近期音乐学研究的新动向,更可理解为韩国音乐学研究在21世纪全球化文化视野中,希望构筑其全新自我存在的一种尝试和努力。今天的韩国音乐学,是对"韩国的音乐"这一全新概念的整理以及对其研究方法论的再整理,同时还必须担负在国际学术研究中彰显"韩国的自我存在"的重要作用。
[Abstract]:At the end of the 19th century, western music began to spread to Korea, which had an important influence on Korean culture and education and caused many changes, which also brought about the phenomenon of "foreign music" and "national music". In this process, the Korean music industry mainly concentrated on creation and performance, while academic music research was very weak. Against this background, Korean musicology took its place in the music industry only in the early 1980s through systematic construction and academic research. The study of musicology in Korea can be roughly divided into the reception and research tendency of western musicology and the tendency to pursue the research of nationalist musicology. While the two tendencies coexist, they also dominate the study of musicology in Korea. After entering the 21 st century, academic circles began to transcend the original two tendencies and explore the so-called "third way". This paper mainly studies the research tendency of Korean musicology from the beginning of 1980s to the present, and discusses the starting point, academic standpoint, concrete research, and social and cultural point of view of the above three research tendencies. Especially, the new trend of the recent musicology research of the so-called "the third way" can be understood as an attempt and effort for the Korean musicology research to construct its new self-existence in the view of the global culture in the 21st century. Today's Korean musicology is the arrangement of the new concept of "Korean music" and the rearrangement of its research methodology. At the same time, it must also play an important role in highlighting the "Korean self-existence" in international academic research.
【作者单位】：韩国国立首尔大学音乐学院作曲理论系;首尔大学音乐研究所;韩国西洋音乐学会;韩国国立首尔大学音乐学院;南昌航空大学音乐学院;
【分类号】：J607

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