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先秦音乐自然观史料研究

发布时间:2018-06-08 20:55

  本文选题:音乐自然观 + 先秦 ; 参考:《山西大学》2006年硕士论文


【摘要】:音乐自然观是建立在人对自然最初的认识之上的音乐观,它集中体现了人类对音乐和自然的关系的基本认识。我国音乐自然观念早在远古时代就已萌芽,在先秦时期表现得最为突出,曾一度成为当时社会的占统治地位的音乐观念。因此,,笔者从先秦时期遗留下来的主要文献着手,对集中反映古人音乐自然观念的历史史料做了系统地分析和综合,并在此基础上针对先秦时期音乐自然观的若干问题做了尝试性的探讨和梳理。 本文集中分析和综合的史料主要来自《尚书》、《竹书记年》、《周礼》、《老子》、《左传》、《国语》、《论语》、《礼记》、《孟子》、《吕氏春秋》、《荀子》、《庄子》和《韩非子》等文献。具体地,《尚书》、《竹书纪年》和《吕氏春秋》上的部分资料,主要反映了我国远古时期和夏商时期中国先民有关音乐自然观的最朴素的认识。《周礼》、《老子》、《左传》、《国语》和《礼记》等则更多地反映出了西周时期以及西周向春秋过渡时期音乐自然观的发展情况。而《论语》、《孟子》、《荀子》、《庄子》和《韩非子》等资料中则集中反映了春秋战国时期音乐自然观在新的历史条件下的分化情况。但是,需要注意的是,由于这些文献自身的性质和编写者方面的因素的影响,从中撷取而来的确认为音乐自然观史料的在文字比例上很不均衡,并且它们所反映的音乐自然观发展状况在时间分布上也很不均衡。 在对先秦时期文献中音乐自然观史料分析的基础上,首先,笔者尝试性地探讨了先秦时期音乐自然观产生的可能的客观条件,指出原始先民的听觉审美意识的产生以及对自然音响的分辨能力和建立在此基础上的音乐的起源及其具体实践是音乐自然观念形成的两个客观条件。其次,为了研究上的方便,笔者对先秦音乐自然观的发展分期问题提出了自己的看法,认为它大致可以分为三个时期:1、音乐自然观的萌芽和初步形成期——夏代建立以前的远古时期;2、音乐自然观的确立期——三代时期;3、音乐自然观的分化期——春秋战国时期。再次,笔者依文献资料为依托,针对先秦时期音乐自然观的主要学术流派问题做了相关探讨和
[Abstract]:The concept of music nature is a concept of music based on man's first understanding of nature. It embodies the basic understanding of the relationship between music and nature. The natural concept of music in China has sprout early in the ancient times and has been the most prominent in the pre Qin period, and once became the dominant musical concept of the society at that time. From the main documents left over from the pre Qin period, the author makes a systematic analysis and synthesis of historical historical materials which reflect the natural conception of the ancient music, and on this basis, the author has made an attempt to discuss and comb some problems of the natural view of the music in the pre Qin period.
This article concentrates on the analysis and synthesis of the historical materials mainly from the "Shang shu >" bamboo Secretary "," Zhou Li > "," Lao Zi > "," Zuo Zhuan > "," Analects > "," Li Ji > "," Mencius > "," Lu Shi spring and Autumn > "," Xunzi > "and" Han Fei Zi > "and other documents. The most naive understanding of the Chinese ancestors in the Shang Dynasty on the natural view of music. "Zhou Li >" Lao Zi > "Zuo Zhuan >" "Guoyu >" and "the book of Rites" reflect the development of the natural view of music in the period of the Western Zhou Dynasty and the transition period of the Western Zhou Dynasty to the spring and Autumn period. In the period of the Warring States period, the natural view of music was divided under the new historical conditions. However, it should be noted that, due to the nature of the literature and the influence of the writer, the historical data of the natural view of music were unevenly proportional to the historical data of the music, and the development of the natural view of music reflected by them. The situation is also very uneven in time distribution.
On the basis of the analysis of the historical data of the natural view of music in the literature of the pre Qin period, first of all, the author tries to explore the possible objective conditions for the emergence of the natural view of music in the pre Qin period, and points out the emergence of the auditory aesthetic consciousness of the original ancestors, the ability to distinguish the natural sound and the origin and concrete of the music on the basis of the establishment of the music. Practice is the two objective conditions for the formation of the natural concept of music. Secondly, in order to study the convenience of the study, the author puts forward his own views on the development stages of the concept of natural music in the pre Qin period. It is thought that it can be divided into three periods: 1, the germination and initial formation period of the natural view of music - the ancient period of the Xia Dynasty, before the establishment of the ancient period; 2, music The period of establishment of the view of nature - the period of the three generation; 3, the period of differentiation of the natural view of music - the period of the spring and autumn and the Warring States period. Again, the author, based on the literature, discussed and discussed the main academic schools of the natural view of music in the pre Qin period.
【学位授予单位】:山西大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J609.2

【引证文献】

相关期刊论文 前1条

1 刘宇统;;《尚书》和《竹书纪年》中的音乐自然观解析[J];兴义民族师范学院学报;2010年02期

相关硕士学位论文 前2条

1 谢艺;从晋南地区出土的先秦乐器看晋音乐文化之特征[D];山西大学;2010年

2 吴巧灵;《吕氏春秋·古乐篇》中的乐舞史料研究[D];上海师范大学;2012年



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