蒙汉调的文化内涵与演唱风格研究

发布时间：2018-06-12 01:46

本文选题：蒙汉调 + 演唱风格　；参考：《中央民族大学》2005年硕士论文

【摘要】：“蒙汉调”,俗称“漫翰调”或“蛮汉调”,是清乾隆年间,汉族大量涌入内蒙古准格尔旗地区产生的一种新型民间歌种。它是蒙、汉劳动人民智慧和文化的结晶,它反映着蒙汉两族人民生活文化和深厚友谊。近年来,由于准格尔旗的对外开放,蒙汉调开始传播到内蒙古周边地区乃至全国各地区,深受民众好评。并且自身也在不断吸收外界新的音乐元素“为我所用”,并得到了长足的发展。蒙汉调这种特殊的音乐文化现象,不仅有其独特的历史文化内涵以及演唱方法上的特殊性,同时也体现出蒙汉两族文化交融的特征,值得挖掘和研究。本论题从历史角度出发,运用文化人类学、民俗学和音乐学的理论,采取调查法、综合研究法等,对蒙汉调的源流、演唱方法及继承与发展做了较深入的分析论证。全文共五个部分:一、蒙汉调的历史。这部分内容分别从蒙汉调的名称来源、流传地域和历史背景等方面进行了论述;二、蒙汉调的音乐概貌。从蒙汉调的歌种类型、演唱形式、旋律特征、曲式结构及伴奏五个方面诠释了蒙汉调的音乐特点;三、蒙汉调唱词的分类特点及艺术特色。这部分全面论述了蒙汉调唱词内容上的分类、特点及唱词常用的一些方言特征及艺术特色,全面展示了蒙汉调唱词的独特性;四、蒙汉调的演唱特征。这部分是全文的重点,在有关演唱资料匮乏的情况下,作者通过亲身实践及深入细致的田野采风工作,收集到第一手有关演唱的资料。在专业理论的指导下,和总结民间演唱经验的基础上,笔者从三个方面总结了蒙汉调的演唱风格及特点:①民间艺人谈蒙汉调的演唱②专家学者谈蒙汉调的演唱③ 蒙汉调演唱之管见。这部分不仅总结了蒙汉调唱法上的特点,同时一还对蒙汉调演唱中出现的问题提出了相应解决方法;五、蒙汉调的传承发展与展望。这部分从蒙汉调的混融性与独特性、集体性与社会性、传播性与变异性等特性出发展望蒙汉调的发展。全文对蒙汉调文化内涵及演唱风格进行了深入的探讨,具有一定的理论性和创新性。关键词蒙汉调,演唱风格,继承与展望
[Abstract]:"Mongolian and Han tune", commonly known as "Man Han tune" or "Man Han tune", was a new folk song species in the Qianlong period of Qing Dynasty, when Han nationality poured into the Zhungeer Banner area of Inner Mongolia. It is the crystallization of the wisdom and culture of the working people of Mongolia and Han, and reflects the living culture and deep friendship of the two peoples. In recent years, due to the opening of Zhungeer Banner, Mongolia-Han dispatching spread to the surrounding areas of Inner Mongolia and even to all regions of the country, and was well received by the people. And oneself also is absorbing outside new music element "for my use", and has obtained the considerable development. This special phenomenon of music and culture has not only its unique historical and cultural connotation and the particularity of singing methods, but also reflects the characteristics of the blending of Mongolian and Chinese cultures, which is worth exploring and studying. From the historical point of view, using the theories of cultural anthropology, folklore and musicology, and adopting the methods of investigation and comprehensive research, this thesis makes a deep analysis and demonstration of the origin, singing method, inheritance and development of Mongolian and Han tune. The thesis consists of five parts: first, the history of Mongolian and Han tune. This part discusses the origin of the name, the region of spread and the historical background of Mongolian and Han tune respectively; second, the music overview of Mongolian and Han tune. This paper interprets the music characteristics of Mongolian and Han tune from five aspects: the type of song, singing form, melody, musical structure and accompaniment. Thirdly, the classification and artistic characteristics of song words in Mongolian and Chinese tune. This part comprehensively discusses the classification, characteristics and some dialects and artistic characteristics of Mongolian and Han tongues, and shows the uniqueness of Mongolian and Chinese lyrics; fourthly, the singing characteristics of Mongolian and Chinese tongues. This part is the focus of the full text, in the case of the lack of relevant singing materials, the author through personal practice and intensive field work, collect first-hand information about singing. Under the guidance of professional theory, and on the basis of summing up the experience of folk singing, The author sums up the singing style and characteristics of the Mongolian and Chinese tune from three aspects. The author discusses the singing style of the Mongolian and Han tune and the characteristics of the folk artist. 2 the experts and scholars talk about the singing of the Mongolian and the Han tune; 3 the views on the singing of the Mongolian and the Chinese tune. This part not only summarizes the characteristics of the Mongolian and Han tune singing method, but also puts forward the corresponding solutions to the problems in the Mongolian and Han tune singing; fifth, the Mongolian and Han tune inheritance and development and prospects. This part looks forward to the development of Mongolian and Han tune from the characteristics of mixing and uniqueness, collectivity and sociality, communication and variability. The full text has carried on the thorough discussion to the Mongolian and the Han tone cultural connotation and the singing style, has certain theory and the innovation. Key words Mongolian and Chinese tune, singing style, inheritance and prospect
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J616.2

【引证文献】