论大提琴在中国的发展及音乐创作的民族化历程
[Abstract]:The cello instrument went through a long and arduous process of development in Europe before it spread to China. In the early days of China, through the imperial palace of the Qing Dynasty and the court band of Yuan Shikai, The process of czarist Russia's cultural penetration into China and the influence of Japanese colonialism was influenced by the fusion of music in Shanghai's cosmopolitan city and the outbreak of World War II by Jewish musicians who fled to China. Until the warlord dispute in Peking University Music Institute, experienced the cultural revolution stasis, we can see that every step of the development of cello art is closely related to the era and political background. In the last 250 years, it has also been the most turbulent and turbulent period in China's political situation. No matter how turbulent the situation is, the spread of cello or western music in China has been uninterrupted, so on a certain level, The dissemination of music is not influenced by any political background, because the pursuit of music beauty is inevitable and unhindered by human nature. It is worth remembering that the musicians who held on to their musical beliefs were the backbone of the wheel of the music development era. Their adherence to faith and devotion to the music cause were admirable. It was the musicians who planted cello, a European instrument, on the land of China, where the cello took root and developed into what it is today. The author believes that the different historical backgrounds of the East and the West have led to the development of western culture and the different musical styles of traditional Chinese music works, which have resulted in the evolution of different playing techniques and how to create music. The conflict between Chinese and western cultures in the playing of musical instruments and the expression of ideas is the subject that every music creator faces. It is an inescapable duty of every Chinese music worker to propagate and popularize the historical culture of China, to make Chinese traditional music go to the world, and to let the people of the whole world understand China's broad and profound traditional folk culture. The changes in ideas and creative ideas experienced by composers in treating cello works nationalization. In the creation of Chinese cello music in the new era, some composers have found a good combination of tradition and modernity, no matter what country, what nationality, what religion, what tradition, The pursuit of art aesthetics is basically the same. Only the different reaction is in its performance content, the artistic style and the expression form difference. In the process of the composer's creation, how to use this unique national art form to reflect the spirit of the nation, how to reflect the creators' understanding of the national culture, and how to reflect this nation's social life through understanding? The characteristics of national custom and national character are the most important problems in the name of nationalization. The idea of this kind of music creation is also how to make the musical art creation of cello musical instrument more important content and trend of nationalization process. The purpose of this paper is to find out the inner rules of cello music creation in different periods, to find out more outstanding contemporary cello works in China, and to make them in the performance content, aesthetic pursuit, music style. Playing technology, the use of music language and other aspects more scientific, systematic.
【学位授予单位】:山东大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J622.3
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