唐以前制度文化中中原与西域的音乐交流与传播
发布时间：2018-07-29 09:05
【摘要】：本文以唐以前中原——西域音乐文化的交流途径与传播方式为研究起点,并以其中官方制度文化中的音乐交流传播活动为主要研究视角,对制度文化在历史进程中给予音乐交流活动所产生的影响与作用展开探讨。 中原与西域交往甚早,依现有研究成果可将中原——西域的音乐交流传播途径主要归结为民间、官方两大层面。本文以官方层面为基点展开探讨,认为自汉代以降,中原王朝经略西域的政治攻略是其间各种文化交流渗透不可忽视的重要官方制度背景。汉唐两代可谓中央王朝集权统治的极至时期,音乐文化在其“普天之下,莫非王土”的“大一统”观念中,受到不同程度的规范与制约,同时其用乐行为本身也伴随官方制度文化的制约而产生相应变化。此背景下的多种规模浩大、影响深远的音乐文化交流传播,与官方经略制度的成效息息相关。乐籍制度中“轮值轮训”成为自上而下用乐行为一致的重要保障,当然不同区域存在特色之别是不可避免的自然现象。经略制度作为以上现象形成中的宏观政治背景,“乐籍制度”成为从属其中并为之服务的音乐文化定规,其不仅具有一仍旧贯的延续,有又时殊事异的变更,展示了作为诸多社会文化成分之一的音乐文化,其生发不仅依赖于艺术自身的发展规律,同时兼及社会制度文化的人文因素。 本文在关注中原——西域音乐文化众多交流传播途径的同时,着重以社会制度及“乐籍制度”为背景,试图揭示“官制”、“建制”等
[Abstract]:This article takes the communication way and dissemination way of the music culture of Central Plains and Western region before Tang Dynasty as the starting point, and takes the music exchange and communication activities in the official system culture as the main research angle. This paper probes into the influence and effect of institutional culture on music exchange in the course of history. The communication between the Central Plains and the Western regions was very early. According to the existing research results, the channels of music communication between the Central Plains and the Western regions can be attributed to the folk and the official. Based on the official level, this paper holds that the political strategy of the Central Plains Dynasty through the Western regions since the Han Dynasty is an important official system background in which all kinds of cultural exchanges can not be ignored. The Han and Tang dynasties can be described as the extreme solstice of the centralization of the central dynasty. The music culture was regulated and restricted to varying degrees in its concept of "unification under the universal sky, not the land of the king". At the same time, its use of music itself also accompanied by the constraints of the official system culture and corresponding changes. Under this background, a variety of scale and far-reaching music and cultural exchanges and dissemination are closely related to the effectiveness of the official economic system. Rotation training in the system of music and nationality has become an important guarantee for the consistency of music behavior from top to bottom. Of course, it is inevitable for different regions to have their own characteristics. As the macro-political background in the formation of the above phenomena, the "music and nationality system" has become a musical cultural norm subordinate to it and served for it. It not only has a continuation of the old pattern, but also changes from time to time. It shows that music culture, as one of the social and cultural components, not only depends on the development law of art itself, but also on the humanistic factors of social system culture. While paying close attention to the numerous communication and dissemination ways of music culture in Central Plains and Western regions, this paper focuses on the background of social system and "music nationality system", and tries to reveal the "official system" and "establishment" and so on.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J609.2
本文编号：2152185
[Abstract]:This article takes the communication way and dissemination way of the music culture of Central Plains and Western region before Tang Dynasty as the starting point, and takes the music exchange and communication activities in the official system culture as the main research angle. This paper probes into the influence and effect of institutional culture on music exchange in the course of history. The communication between the Central Plains and the Western regions was very early. According to the existing research results, the channels of music communication between the Central Plains and the Western regions can be attributed to the folk and the official. Based on the official level, this paper holds that the political strategy of the Central Plains Dynasty through the Western regions since the Han Dynasty is an important official system background in which all kinds of cultural exchanges can not be ignored. The Han and Tang dynasties can be described as the extreme solstice of the centralization of the central dynasty. The music culture was regulated and restricted to varying degrees in its concept of "unification under the universal sky, not the land of the king". At the same time, its use of music itself also accompanied by the constraints of the official system culture and corresponding changes. Under this background, a variety of scale and far-reaching music and cultural exchanges and dissemination are closely related to the effectiveness of the official economic system. Rotation training in the system of music and nationality has become an important guarantee for the consistency of music behavior from top to bottom. Of course, it is inevitable for different regions to have their own characteristics. As the macro-political background in the formation of the above phenomena, the "music and nationality system" has become a musical cultural norm subordinate to it and served for it. It not only has a continuation of the old pattern, but also changes from time to time. It shows that music culture, as one of the social and cultural components, not only depends on the development law of art itself, but also on the humanistic factors of social system culture. While paying close attention to the numerous communication and dissemination ways of music culture in Central Plains and Western regions, this paper focuses on the background of social system and "music nationality system", and tries to reveal the "official system" and "establishment" and so on.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J609.2
【引证文献】
相关博士学位论文 前2条
1 王安潮;唐大曲考[D];上海音乐学院;2007年
2 郭威;曲子的发生学意义[D];中国艺术研究院;2010年
相关硕士学位论文 前2条
1 杨婷婷;从四部类书乐部看唐人音乐思想的特别样态[D];西安音乐学院;2009年
2 范瑾;隋唐时期来到中原的西域音乐家之研究[D];山西大学;2009年
，本文编号：2152185
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