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朱谦之音乐美学思想初探

发布时间:2018-08-02 09:37
【摘要】:朱谦之先生(1899-1972)是中国20世纪著名的哲学家、历史学家、音乐史家,在学术方面有其独特的风格和个人特点,虽然他的作品中没有一部专门性的著作或者文章来针对音乐美学进行阐述,但他的音乐美学思想蕴含在其学术的各个角落,且内容非常丰富。朱谦之倡导音乐至高无上、以音乐为中心的观点,无论是他的音乐文学论、音乐功能论、还是音乐唯情论等音乐美学思想中,都体现了这一观点。在《中国音乐文学史》和他的音乐评论中,,否定了胡适“废曲用白”的观点,肯定了音乐与文学的关系。朱谦之推崇“真情之流”,认为真情之流是音乐的活动体,是生命之流的表现,因为音乐是宇宙的中心,是真情的具体体现。在抗战时期,朱谦之在讲座和发表的论文中多次提出了利用音乐为抗战服务的观点,肯定了音乐的功能问题,明确了音乐的重要性,他的音乐美学思想今天仍有其重要意义。
[Abstract]:Zhu Qianzhi (1899-1972) is a famous philosopher, historian and music historian in 20th century in China. Although there is not a special book or article in his works to elaborate on music aesthetics, his music aesthetics thought is contained in every corner of his academic field, and the content is very rich. Zhu Qianzhi advocated the supremacy of music, which was embodied in his musical aesthetic thoughts, such as music literature, music function, music sentimentality and so on. In the History of Chinese Musical Literature and his music review, the author denies Hu Shi's viewpoint of "using white music" and affirms the relationship between music and literature. Zhu Qianzhi praises "the stream of true feelings", and thinks that the stream of true feelings is the activity of music and the expression of the stream of life, because music is the center of the universe and the concrete embodiment of the true feelings. During the War of Resistance against Japan, Zhu Qianzhi put forward the viewpoint of using music to serve the War of Resistance many times in his lectures and published papers, affirmed the function of music, and made clear the importance of music. His aesthetic thought of music still has its important significance today.
【学位授予单位】:西安音乐学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J601

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