明代戏曲音乐创作之民间性本质研究

发布时间：2018-10-09 12:14

【摘要】： 本论文由绪论、正文、结语以及参考文献等几部分组成。绪论简略阐述明代戏曲音乐创作民俗性此一论题确立的经纬。对于前人在中国戏剧史以及中国古代音乐史上所作的相关研究成果给予论述,并扼要陈述了对戏曲音乐民间性本质探索的重要意义。正文包括三章: 第一章:探索明代戏曲音乐在创作上的群体性质。第一节对明代戏曲地方声腔兴起现象给予梳理,描绘出戏曲音乐创作的群体性表征。这种群体创作以地域为基础,与其他民间音乐之间有着深厚的历史渊源。第二节探讨了地理风格与音乐风格之间的联系,明确提出“语言系属”才是影响音乐创作的根本因素。语言是形成戏曲音乐的基础,也是沟通情感的纽带,在共同的语言基础之上,同地域群体创作呈现出趋于共性的音乐风格。第二章:从华夏民族重视声乐的传统,探讨古代唱论对于明代戏曲音乐创作方式和传承方式的影响。歌唱的传统导向了古代戏曲音乐创作中“一、二度创作”的混合的现象,就传教而言则导向了“口传心授”的传承方式。第三章:通过在明朝获得显著发展的“昆曲南北曲”的论证,以音乐学的手法考察戏曲音乐创作的变易性原则;这种曲调的依据母体进行创新性变化的手法,是一种民众的参与方式,体现出“民间性”的创作思维。结语部分:重申明代戏曲音乐的创作性质与整个我国古代戏曲音乐的性质是相统一的,它的本质就在于民间性。这种民间性质使戏曲音乐创作呈现出一种群体共建的强调共性、交流、融合的开放性结构。
[Abstract]:This paper is composed of introduction, text, conclusion and reference. Introduction briefly describes the Ming Dynasty opera music creation folklore, the theme of the establishment of the warp and weft. This paper discusses the related research achievements made by predecessors in the history of Chinese drama and the history of ancient Chinese music, and briefly states the important significance of exploring the folk nature of traditional Chinese opera music. The text consists of three chapters: chapter one: explore the group nature of opera music in Ming Dynasty. The first section combs the phenomenon of the rise of local vocal cavity in the Ming Dynasty opera, and describes the group representation of opera music creation. This kind of group creation is based on region and has deep historical origin with other folk music. The second section discusses the relationship between geographical style and musical style, and points out that language is the fundamental factor affecting music creation. Language is not only the foundation of opera music, but also the link of communication emotion. On the basis of common language, the creation of the same regional groups presents a common musical style. Chapter two: from the tradition of Chinese people paying attention to vocal music, discusses the influence of ancient singing theory on the creation and inheritance of opera music in Ming Dynasty. The tradition of singing leads to the mixed phenomenon of "the first and second creation" in the ancient opera music creation, and the way of "oral teaching" as far as missionary is concerned. Chapter three: through the demonstration of "Kunqu Song from North to South", which developed remarkably in the Ming Dynasty, this paper investigates the changing principle of opera music creation by means of musicology, which is based on the innovative change of the matrix. Is one kind of popular participation way, manifests "the folk nature" the creation thought. Conclusion: it is reiterated that the creative nature of the opera music in Ming Dynasty is unified with that of the whole ancient Chinese opera music, and its essence lies in the folklore. This kind of folk nature makes the creation of opera music present an open structure which emphasizes the commonness, exchanges and amalgamates.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J609.2

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