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有限即兴和声视唱教学研究

发布时间:2018-10-13 07:24
【摘要】: 视唱练耳是一门音乐基础学科,以培养学生的音乐听觉感并应用到音乐实践为教学任务,和声听觉感更是视唱练耳教学中重要组成部分。本文以培养学生建立其和声听觉感及听觉感的应用能力为主要目的,以集体即兴视唱为技术手段,建立一个名为“有限即兴和声视唱”的教学法,在理论构想的基础上进行教学实验,总结出有限即兴和声视唱的理论基础;阐明了有限即兴和声视唱的训练原则;对教学实践中的应用方法作了初步的探讨。为视唱练耳学科建设提供了有意义的参考和补充。
[Abstract]:Solfeggio is a basic subject of music. The teaching task is to cultivate students' sense of musical hearing and to apply it to music practice. The sense of harmony is an important part of solfeggio teaching. In order to cultivate the students' ability of building up their sense of hearing and their sense of hearing, this paper establishes a teaching method called "limited improvisation and visual singing" with collective improvisation as a technical means. On the basis of theoretical conception, this paper carries out teaching experiments, summarizes the theoretical basis of limited improvisation and visual singing, clarifies the training principles of limited improvisation and visual singing, and makes a preliminary discussion on the applied methods in teaching practice. It provides a meaningful reference and supplement for the construction of solfeggio and ear training.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J613.1

【引证文献】

相关期刊论文 前1条

1 张艺峰;;新世纪初视唱练耳硕士论文述评[J];艺术研究;2012年01期



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