中国钢琴组曲的曲式结构研究
发布时间：2018-12-08 17:05
【摘要】：中国的钢琴组曲在我国钢琴音乐的创作中占有很大的份量,在钢琴音乐的创作领域有着不可代替的位置。随着我国钢琴音乐创作的发展和创作理念的转变,钢琴组曲的创作题材和风格技法也较为丰富和多样。这些作品中既有按传统技法创作的有调性音乐作品,也有按现代技法创作的无调性音乐作品,还有以民间音乐为基调与西方作曲技法有机结合的成功之作。基于中国钢琴组曲在我国钢琴音乐创作中的特殊地位和重大学术价值,全面系统深入地分析这些作品的曲式结构就成为了一个十分必要的课题。这对于我们借鉴前人的创作经验,了解和把握不同时期的创作特点,为开创我国钢琴创作的新局面,有着十分重要和深远的意义。 本文在对已搜集到的四十六部中国钢琴组曲作品进行全面分析和归类的基础上,重点对具有一定代表性、典型性的钢琴组曲的曲式结构进行了宏观(整体)和微观(局部)等两个方面的研究。宏观分析主要是从各乐章之间联系的技术手段和各乐章联合起来所体现的整体曲式结构原则两方面进行分析研究;微观分析主要是对构成组曲的各个乐章内部所采用的曲式结构进行分析研究。通过上述分析,使我们能够较为全面地看到中国作曲家在不同时期钢琴组曲创作风格上的演变过程,及其在吸收西方创作手法和继承我国古典套曲传统基础上的一些新特点,尤其是曲式结构方面的特点。这种继承和创新精神,以及在中国钢琴组曲创作上的成就和创作经验,都将成为我们学习和借鉴的宝贵财富。
[Abstract]:Chinese piano suite plays an important role in the creation of piano music in China and plays an irreplaceable role in the field of piano music creation. With the development of piano music creation and the change of creative idea, the composition theme and style techniques of piano suite are also rich and diverse. Among these works, there are not only tonality music works created according to traditional techniques, but also atonal music works created according to modern techniques, as well as successful works which combine folk music with western composing techniques organically. Based on the special position and great academic value of Chinese piano suite in Chinese piano music creation, it has become a very necessary subject to analyze the musical form structure of these works in a comprehensive and systematic way. This is of great significance for us to learn from the previous creative experience, to understand and grasp the creative characteristics of different periods, and to create a new situation of piano creation in China. On the basis of comprehensive analysis and classification of 46 works of Chinese piano suite collected, this paper focuses on some representative works. The classical form structure of piano suite is studied in two aspects: macroscopic (whole) and micro (local). Macroscopical analysis is mainly from two aspects: the technical means of connecting each movement and the principle of integral form structure embodied by each movement. Micro-analysis is mainly about the structure of the composition of each movement. Through the above analysis, we can see more comprehensively the evolvement process of Chinese composers' piano suite creation style in different periods, and some new characteristics on the basis of absorbing western creative techniques and inheriting the tradition of Chinese classical ensemble. In particular, the structure of the form of the characteristics. This spirit of inheritance and innovation, as well as the achievement and experience in the creation of Chinese piano suite, will become our valuable wealth to learn and learn from.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.3
本文编号：2368688
[Abstract]:Chinese piano suite plays an important role in the creation of piano music in China and plays an irreplaceable role in the field of piano music creation. With the development of piano music creation and the change of creative idea, the composition theme and style techniques of piano suite are also rich and diverse. Among these works, there are not only tonality music works created according to traditional techniques, but also atonal music works created according to modern techniques, as well as successful works which combine folk music with western composing techniques organically. Based on the special position and great academic value of Chinese piano suite in Chinese piano music creation, it has become a very necessary subject to analyze the musical form structure of these works in a comprehensive and systematic way. This is of great significance for us to learn from the previous creative experience, to understand and grasp the creative characteristics of different periods, and to create a new situation of piano creation in China. On the basis of comprehensive analysis and classification of 46 works of Chinese piano suite collected, this paper focuses on some representative works. The classical form structure of piano suite is studied in two aspects: macroscopic (whole) and micro (local). Macroscopical analysis is mainly from two aspects: the technical means of connecting each movement and the principle of integral form structure embodied by each movement. Micro-analysis is mainly about the structure of the composition of each movement. Through the above analysis, we can see more comprehensively the evolvement process of Chinese composers' piano suite creation style in different periods, and some new characteristics on the basis of absorbing western creative techniques and inheriting the tradition of Chinese classical ensemble. In particular, the structure of the form of the characteristics. This spirit of inheritance and innovation, as well as the achievement and experience in the creation of Chinese piano suite, will become our valuable wealth to learn and learn from.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.3
【引证文献】
相关期刊论文 前1条
1 朱力;;中国现当代钢琴作品研究——1999—2009年全国优秀硕士、博士学位论文述评[J];学理论;2011年33期
相关硕士学位论文 前6条
1 王江波;钢琴组曲《西藏素描》的分析与演奏[D];河北师范大学;2011年
2 林永源;钢琴组曲《“长短”的组合》创作中民族风格的研究[D];哈尔滨师范大学;2011年
3 刘f3;钢琴组曲《红色娘子军》音乐探究[D];西南大学;2007年
4 舒小立;天府琴韵[D];四川师范大学;2007年
5 杨润;钢琴组曲《西藏素描》与《滇南山谣三首》研究[D];河南大学;2010年
6 吴迪;汪立三钢琴组曲《东山魁夷画意》探析[D];东北师范大学;2010年
，本文编号：2368688
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