马思聪中后期钢琴作品研究

发布时间：2018-12-31 12:20

【摘要】：本文以马思聪中后期创作的钢琴独奏作品：四首《小奏鸣曲》、《钢琴小曲三首》、两首《赋格》为研究对象，采用音乐学实证性与思辨性的研究、音乐形态学、历史学、心理学、社会学等研究方法，分析和汇集相关史料，对这三部九首作品进行了细致的音乐形态分析及艺术手法归纳，以此窥见马思聪中小型钢琴独奏作品在旋法、和声、复调和曲式上的创作特色，即在旋法上特色体现在起音、转调模进和民族性三方面；和声上，平行四、五度的和声进行少见，增四度、减五度等音程的加入，使得音响效果极为不协和；复调上的特点，主要体现在密接和应、持续音、音程扩大、倒影手法的运用上；曲式上，作曲家习惯于运用一个或两个主题材料，在不同的调式上进行变化发展，使作品呈现出单曲式结构或具有单曲式性质的循环曲式结构。这些作品多以某些“民族性”音调构成，但或许是由于缺少明确的“地域性”特征，难以拉近作品与人民之间的距离，再加上某些作品和声上的独特性，使得音响效果“怪异”，可听性不佳，耐听性不够。这些作品虽然在当代的影响并不深远，但在西方作曲技法与中国传统音乐的结合上做出了有意义的探索，丰富了中国小奏鸣曲和复调乐曲的创作，它们的艺术价值，正是体现这些艺术手法的运用上，，反映了作曲家对“中国风味”钢琴作品的理解和追求。
[Abstract]:This article takes the piano solo works written by Ma Sicong in the middle and late period: four "Sonata", "three Piano songs" and two "Fugue" as the object of study, using the empirical and speculative study of musicology, music morphology, history, etc. Psychology, sociology and other research methods, analysis and collection of relevant historical data, the three nine works of the three music form analysis and artistic techniques summarized, so as to see Ma Sicong's small and medium-sized piano solo works in the rotation, harmony, The creative features of polyphonic and musical forms are embodied in three aspects: starting, changing mode and nationality. Harmony, parallel four, five degrees of harmony rare, increase four, minus five, such as the addition of interval, so that the acoustics effect is extremely discordant; The characteristics of polyphony are mainly reflected in the application of dense connection and response, continuous sound, enlarged interval and reflection technique. In the form of music, the composer is used to use one or two subject materials to change and develop in different modes, so that the work presents a single structure or a circular structure with a single form. Most of these works are made up of certain "national" tones, but perhaps because of the lack of a clear "regional" feature, it is difficult to narrow the distance between the work and the people, plus the unique harmony of some works. Make sound effect "weird", audibility is not good, audibility is not enough. Although the influence of these works in the contemporary era is not far-reaching, they have made a meaningful exploration in the combination of western composition techniques and Chinese traditional music, enriched the creation of Chinese sonatas and polyphonic music, and their artistic value. It is the use of these artistic techniques that reflects the composer's understanding and pursuit of Chinese style piano works.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

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