侗族合唱音乐及其文化构成透视
发布时间：2019-01-03 10:30
【摘要】：本课题是在对侗族合唱音乐有关资料的收集、整理以及过去长期深入侗寨考察的基础上,以音乐美学、音乐审美心理学、少数民族音乐史、教学认识论、和声学等为理论依据,分析研究侗族合唱音乐的形成与发展,阐述侗族合唱音乐与侗族历史文化的关系,探讨侗族合唱音乐在创作手法与表现手法上的个性特点,论述侗族合唱音乐对当代音乐教育中教师的角色变化与教学内容的设置等产生的影响。使侗族合唱音乐以一个系统的理论体系,展现在人们的面前,使其更加理论化、科学化。 全文分为四个部分: 第一部分:绪言。简单介绍了侗族的地理与历史,侗族的人文与民族习俗,对侗族人民的劳动生活习惯以及丰富的民族文化与多彩的民族艺术进行了阐述,说明侗族合唱音乐产生并根植于这一肥沃的土壤是一种必然。 第二部分:侗族合唱音乐简述。首先论述了侗族合唱音乐具有可考的悠久历史。从三则相关史料的记载可以判断,侗族合唱音乐是我国土生土长的“支声复调”式音乐作品,它的存在可以追溯到宋代以前。然后论述了侗族合唱音乐的分类及其特点,根据演唱形式和演唱人员性别及其年龄的不同,分成了五类,并分别予以了论述,再次是对侗族合唱音乐的曲式结构以及旋宫特点分别予以了探究。 第三部分:侗族合唱音乐文化构成透视。从侗族合唱音乐的文化源头来剖析侗族合唱音乐形成的可能性与必然性,及其个性形成的基本规律和各种侗族风情对侗族合唱音乐形成的密不可分性。 第四部分:侗族合唱音乐的传承与启示。一个民族对其优秀文化的传承必然有其独特的传承方式,侗族合唱音乐传承的主要基石是歌队。歌队是一个自在的、有组织的、有规律的传承体系。这种体系就是侗族合唱音乐得以流传至今长盛不衰的有力保证。启示是多方面的,侗族合唱音乐给我带来的启示主要有两个方面,一是“和谐”;二是“创造”。只有构建一个和谐的社会,这个社会才会有不竭的创造力。
[Abstract]:This subject is based on the collection, arrangement and long term investigation of Dong nationality chorus music, based on the theories of music aesthetics, music aesthetic psychology, minority music history, teaching epistemology, harmony acoustics, etc. This paper analyzes and studies the formation and development of Dong nationality chorus music, expounds the relationship between Dong nationality chorus music and Dong nationality history and culture, and probes into the personality characteristics of Dong nationality choral music in terms of creative and expressive techniques. This paper discusses the influence of Dong nationality chorus music on the change of teacher's role and the setting of teaching content in contemporary music education. In order to make Dong nationality choral music more theoretical and scientific, it can be displayed in front of people with a systematic theoretical system. The full text is divided into four parts: the first part: introduction. This paper briefly introduces the geography and history of the Dong nationality, the humanities and customs of the Dong nationality, and expounds the working and living habits of the Dong people, as well as the rich national culture and colorful national art. It is a necessity to explain that Dong nationality choral music came into being and rooted in this fertile soil. The second part: Dong nationality chorus music brief introduction. First of all, it discusses the long history of Dong nationality chorus music. From the records of three related historical materials, it can be judged that Dong nationality choral music is a native musical work of "supporting sound polyphony" in China, and its existence can be traced back to the Song Dynasty. Then it discusses the classification and characteristics of Dong nationality choral music, and divides it into five categories according to the singing form, the sex and the age of the singers. Thirdly, it probes into the musical structure and the characteristics of the rotation Palace of Dong nationality Chorus. The third part: Dong nationality chorus music culture constitution perspective. This paper analyzes the possibility and inevitability of the formation of Dong nationality chorus music from the cultural source of Dong nationality chorus music, the basic law of its personality formation and the inseparable nature of all kinds of Dong nationality customs to the Dong nationality chorus music formation. The fourth part: the inheritance and enlightenment of Dong nationality chorus music. A nation's inheritance of its outstanding culture must have its own unique way of inheritance, Dong Chorus music inheritance of the main cornerstone is the song team. Song team is a free, organized, regular inheritance system. This system is the Dong Chorong music can be spread until now a strong guarantee. The revelation is in many aspects, the Dong nationality chorus music brings to me the enlightenment mainly has two aspects, one is "harmonious"; the other is "creation". Only build a harmonious society, this society can have inexhaustible creativity.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J607
本文编号：2399251
[Abstract]:This subject is based on the collection, arrangement and long term investigation of Dong nationality chorus music, based on the theories of music aesthetics, music aesthetic psychology, minority music history, teaching epistemology, harmony acoustics, etc. This paper analyzes and studies the formation and development of Dong nationality chorus music, expounds the relationship between Dong nationality chorus music and Dong nationality history and culture, and probes into the personality characteristics of Dong nationality choral music in terms of creative and expressive techniques. This paper discusses the influence of Dong nationality chorus music on the change of teacher's role and the setting of teaching content in contemporary music education. In order to make Dong nationality choral music more theoretical and scientific, it can be displayed in front of people with a systematic theoretical system. The full text is divided into four parts: the first part: introduction. This paper briefly introduces the geography and history of the Dong nationality, the humanities and customs of the Dong nationality, and expounds the working and living habits of the Dong people, as well as the rich national culture and colorful national art. It is a necessity to explain that Dong nationality choral music came into being and rooted in this fertile soil. The second part: Dong nationality chorus music brief introduction. First of all, it discusses the long history of Dong nationality chorus music. From the records of three related historical materials, it can be judged that Dong nationality choral music is a native musical work of "supporting sound polyphony" in China, and its existence can be traced back to the Song Dynasty. Then it discusses the classification and characteristics of Dong nationality choral music, and divides it into five categories according to the singing form, the sex and the age of the singers. Thirdly, it probes into the musical structure and the characteristics of the rotation Palace of Dong nationality Chorus. The third part: Dong nationality chorus music culture constitution perspective. This paper analyzes the possibility and inevitability of the formation of Dong nationality chorus music from the cultural source of Dong nationality chorus music, the basic law of its personality formation and the inseparable nature of all kinds of Dong nationality customs to the Dong nationality chorus music formation. The fourth part: the inheritance and enlightenment of Dong nationality chorus music. A nation's inheritance of its outstanding culture must have its own unique way of inheritance, Dong Chorus music inheritance of the main cornerstone is the song team. Song team is a free, organized, regular inheritance system. This system is the Dong Chorong music can be spread until now a strong guarantee. The revelation is in many aspects, the Dong nationality chorus music brings to me the enlightenment mainly has two aspects, one is "harmonious"; the other is "creation". Only build a harmonious society, this society can have inexhaustible creativity.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J607
【引证文献】
相关硕士学位论文 前2条
1 黄菊;当代社会变迁下侗族大歌的传承与保护研究[D];湖南师范大学;2011年
2 谢娟;侗族大歌艺术风格及其社会功能研究[D];贵州民族学院;2010年
，本文编号：2399251
本文链接：https://www.wllwen.com/wenyilunwen/qiyueyz/2399251.html
