西方音乐的遗传基因——论巴赫动机的多风格应用
发布时间：2019-04-27 02:07
【摘要】："巴赫动机"——B-A-C-H,最初出现在巴赫未完成的《赋格的艺术》中的四重赋格中。此后,"巴赫动机"这一西方音乐的遗传基因在贝多芬、李斯特、威伯恩、阿尔沃.派尔特、施尼特凯等作曲家的创作中得以传承,并不断获得具有活力的变化,展现出音乐审美观和清晰的音乐风格发展的脉络。然而,无论风格如何变化,这些作曲家们都竭尽全力地将"巴赫动机"作为全曲的核心结构力来统一全曲,从而表达了对巴赫的崇高敬意。
[Abstract]:Bach motivations, Bach, first appeared in the quad fugue in Bach's unfinished Art of fugue. Since then, "Bach motivation", a genetic gene for Western music, is in Beethoven, Liszt, Wieberne, and Arvo. Pert, Schnitke and other composers were inherited in their works, and constantly obtained dynamic changes, showing the development of musical aesthetics and clear musical style. However, no matter how the style changes, these composers try their best to unify the whole song by using Bach motivation as the core structure of the whole song, thus expressing their high respect for Bach.
【作者单位】： 湖南师范大学音乐学院;
【分类号】：J614
本文编号：2466597
[Abstract]:Bach motivations, Bach, first appeared in the quad fugue in Bach's unfinished Art of fugue. Since then, "Bach motivation", a genetic gene for Western music, is in Beethoven, Liszt, Wieberne, and Arvo. Pert, Schnitke and other composers were inherited in their works, and constantly obtained dynamic changes, showing the development of musical aesthetics and clear musical style. However, no matter how the style changes, these composers try their best to unify the whole song by using Bach motivation as the core structure of the whole song, thus expressing their high respect for Bach.
【作者单位】： 湖南师范大学音乐学院;
【分类号】：J614
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