女性主义摄影中的哥特情结

发布时间：2018-02-28 03:50

本文关键词： 女性主义摄影哥特情结　出处：《武汉纺织大学》2011年硕士论文　论文类型：学位论文

【摘要】：长久以来女性没有属于自己的语言与历史,随着女性主义运动三次浪潮,女性主义艺术开始发展,但相对于女性艺术创作与女性主义艺术创作,关于女性艺术家与女性主义艺术家的研究,以及女性如何干预艺术史,将女性写进艺术史与人类的历史,还有很长的一段路要走。在这种女性在历史中缺席的情况下,梳理以女性为主角的女性艺术,女性主义艺术与女性主义摄影的发展脉络。从而有助于在界定女性主义,区分女性艺术与女性主义艺术。结合女性主义运动与女性主义理论,研究女性主义摄影。以女性的视角解读摄影师辛迪·雪曼、安娜?门迪塔耶、荒木经惟、玛丽·爱伦·玛蔻的经典作品,用阴性书写的方式归结存在于他们摄影作品中的一种有独特风格,主要表现为对女性形象的颠覆,失语的绝望和女性主义的支撑。试图借用“女性哥特”这一目前文学领域的专有词汇,引入摄影领域。将这种不同以往传统的男权的角度,试图用影像发出自己的声音的一种独特的颠覆性的影像表达,蕴含死亡,血液,身体,性等的元素,体现痛苦与压抑,以女性主义的态度或是蕴含有达到女性主义倡导的关注女性生存,提倡男女平等的摄影作品归结为女性主义摄影中的哥特情结。以女性主义理论做支撑,借助法国学者米歇尔?福柯的经典理论与论述,辅以克尔凯郭尔的绝望理论分析这种独特摄影风格以及其产生的深层原因。
[Abstract]:For a long time, women did not have their own language and history. With the three waves of feminist movement, feminist art began to develop, but relative to female artistic creation and feminist artistic creation, There is still a long way to go for the study of female artists and feminist artists, and how women interfere with art history and write women into art history and human history. In the absence of women in history, this paper combs the development of female art, feminist art and feminist photography, which helps to define feminism. Distinguish between female art and feminist art. Combine feminist movement with feminist theory to study feminist photography. Interpret photographer Cindy Sherman, An Na, from a female perspective? The classic work of Menditaye, the Mosuki, Mary Allen Margo, comes down to a unique style in their photographic work, in the form of feminine writing, which is mainly a subversion of the image of a woman. The despair of aphasia and the support of feminism. Trying to borrow the term "female Gothic", which is the exclusive term in the field of literature, into the field of photography. A unique subversive image expression that attempts to produce one's own voice with images that contain elements of death, blood, body, sex, and so on, reflecting pain and repression. With the attitude of feminism or with the concern for the existence of women advocated by feminism, the photographic works advocating equality between men and women can be summed up as Gothic complex in feminist photography, supported by feminist theory, with the aid of French scholar Michel? Foucault's classical theory and argumentation, supplemented by Kierkegaard's theory of despair, analyzes this unique photography style and its underlying causes.
【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J405

【引证文献】