清脉——余平“中国古民居摄影”简论
发布时间:2018-03-02 15:27
本文选题:余平 切入点:古民 出处:《陶瓷科学与艺术》2016年12期 论文类型:期刊论文
【摘要】:正1以"清脉"一词,作余平"中国古民居摄影"艺术的定位之论,并拿来作为本文的题目,其要义有两点:其一,从意义价值而言,或者说,就其对当代中国建筑文化而言,余平的"中国古民居摄影",具有清理谱系而正脉有承之功;其二,从审美价值而言,或者说,就其对当代中国摄影艺术而言,余平的"中国古民居摄影",可谓"清流一脉"而别开一界。
[Abstract]:Zheng 1 uses the word "Qingmai" as the position theory of Yu Ping's art of "Photography of Ancient Chinese dwellings", and takes it as the title of this paper. There are two main points: first, in terms of meaning and value, or as far as contemporary Chinese architectural culture is concerned, Yu Ping's "Photography of Ancient Chinese Folk Houses" has the merit of cleaning up the pedigree and carrying on the direct lineage. Secondly, from the point of view of aesthetic value, or as far as contemporary Chinese photography art is concerned, Yu Ping's "Photography of Ancient Chinese dwellings" can be described as "Qingliu one vein" and another.
【作者单位】: 西安财经学院文学院;北京大学中国诗歌研究院;
【分类号】:J419.3
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