在碎片中前行

发布时间：2018-03-03 16:35

本文选题：碎片　切入点：图像　出处：《中央美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：本文从现今人们生活中的碎片化现象出发。首先,考察了后现代主义理论文献中对“碎片化”的相关论述。虽然极少有文献直接提及这三个字,但通过阅读整理,可以发现其中许多论述都包含了明显的碎片化特质。文中整理了它的三个重要的表现方面,即生活方式,艺术作品和技术革命。而技术的革新,信息的传播,在推动全球化的同时,也加强了世界范围内的碎片化状况。然后,论述了图像作为信息的载体,现在已越来越重要。它承载了文明的信息,成为研究历史的宝贵资料。但值得注意的是,我们看到的图像并非原件,而是由照相机拍摄,再输出的摄影图像。摄影使图像得以传播。接着,分析了摄影图像对世界的贡献：首先它再现了现实世界,然后它机械复制,大量传播,最后通过再现和传播,它在某种程度上替代了现实世界。然而由于它自身的切片化特征,在替代现实的同时呈现出诸多问题。最后,探讨了这样一种碎片化状况带给身处其中的个人的负面影响与益处,即时间精力的消耗和一种认知自由的可能性。并基于这样的现实,我用艺术实践的方式呈现一个由碎片构成的个人印象的世界。以此对上述状况作出我的回应。
[Abstract]:This article starts from the fragmentation phenomenon in people's life today. First of all, it examines the relevant exposition of "fragmentation" in the postmodernism theoretical literature. Although few literatures refer to these three words directly, they are arranged through reading. It can be found that many of these expositions contain obvious fragmentation characteristics. The article arranges three important aspects of its performance, namely, lifestyle, artistic works and technological revolution, and technological innovation, dissemination of information, While promoting globalization, it also strengthens fragmentation around the world. Then, it is discussed that the image is becoming more and more important as a carrier of information. It carries the information of civilization and becomes a valuable material for the study of history. But it is worth noting that the image we see is not the original, but is taken by the camera. A photographic image that is then output. Photography allows the image to spread. Then, it analyzes the contribution of photographic images to the world: first it reproduces the real world, then it mechanically replicates, spreads in large numbers, and finally, through reproduction and dissemination, To some extent, it replaces the real world, but because of its own slicing characteristics, it presents many problems while replacing reality. Finally, it explores the negative effects and benefits of such a fragmented situation on the individuals in it, namely, the consumption of time and energy and the possibility of a freedom of cognition, and based on this reality, I respond to this situation by presenting a world of fragmented personal impressions in the form of artistic practice.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J405

【共引文献】