“挪用”在观念摄影中的应用研究

发布时间：2018-03-28 09:57

本文选题：挪用　切入点：观念摄影　出处：《青岛大学》2017年硕士论文

【摘要】：在后现代主义语境下,“挪用”作为后现代主义艺术中一个重要的创作手法,在观念摄影中被运用。在“读图时代”观念摄影作为一种新的摄影形式,观念是其核心。后现代主义的艺术家们利用观念摄影这一新的媒介对人们熟知的、辨识度高的公共图像,及现实生活中的图像和信息采取一种拿来主义的态度,将挪用物进行再创作。换掉了原有挪用物的语境,使其置入新的语境,介入当下话题,提出时代深度意义的问题,演绎为具有当代语境的艺术作品。所以,“挪用”方法在观念摄影中如何结合当下现实生活,揭示当下生活中存在的问题及认识提出自己的观点与立场,用自己的思想观念来表达,是很值得研究与实践探索的。本文以“挪用”方法在观念摄影中的运用为出发点,以如何结合当下现实生活,揭示当下生活中存在的问题及认识提出自己的观点与立场,用自己的思想观念来表达出具有时代内涵的艺术作品为研究内容,力求影响在我们的现实社会中,我们对存在问题的态度观念,及看待当下现实世界的方式。本论文主要通过对“挪用”的表意方式来阐述“挪用”的内涵、现实意义及美学价值。“挪用”在观念摄影中的生成,通过对“挪用”的类别、方法、修辞手法及文化身份识别的理论阐述及案例剖析体会到了“挪用”手法对观念摄影具有的重要理论价值和使用价值。从而归纳总结了“挪用”在当代观念摄影中价值和意义。进而在此基础上,指导自己进行观念摄影实践探索。通过理论与实践的相结合,相互融会贯通,更加认识到“挪用”方法是观念摄影重要的一个创作方法,对于观念摄影的发展起到了很大的推动作用。
[Abstract]:In the context of post-modernism, "misappropriation" as an important creative technique in post-modernist art, is used in conceptual photography. The idea is at the heart of it. Post-modernist artists use the new medium of conceptual photography to adopt an approach to familiar, highly recognizable public images, as well as images and information in real life. By re-creating the misappropriated objects, changing the context of the original misappropriated objects, putting them into a new context, intervening in the current topic and raising the question of the depth of the times, Therefore, the method of "misappropriating" how to combine the present real life, to reveal the existing problems in the present life and to put forward its own viewpoint and stand in the process of "misappropriation" in the photography of ideas. It is worth studying and exploring in practice to express one's own thoughts and ideas. This paper takes the application of "misappropriation" method in concept photography as the starting point and how to combine the present real life. To reveal the problems existing in the present life and to put forward their own views and positions, to express the artistic works with the connotation of the times as the research contents, and to make every effort to influence our real society. This paper mainly expounds the connotation, realistic significance and aesthetic value of "misappropriation" by means of the way of "misappropriation", the generation of "misappropriation" in conceptual photography. Through the classification of "misappropriation", the method, The theoretical exposition and case analysis of rhetorical devices and cultural identity recognition shows that "misappropriation" has important theoretical value and practical value to conceptual photography, and thus sums up "misappropriation" in contemporary conceptual photography. Value and meaning. And on that basis, Through the combination of theory and practice and mutual understanding, we realize that "misappropriation" method is an important creative method of concept photography. For the concept of photography has played a great role in promoting the development.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J405

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