意念的再生成——摄影中的“置换”

发布时间：2018-06-16 17:02

  本文选题：镜像反射 + Hughes　； 参考：《美术研究》2015年01期

【摘要】：正通常意义上,摄影被认作是对现实世界的镜像反射和客观复制。在摄影图式的建构中,图像与其指示的意念之间的关系不是一次转化,而是一次"注册",这一过程凸显了摄影作为"自然画笔"的神话。然而,这种客观性一经"选择",人的主观成分就介入进来,从而超越纯粹的复制自然,在视觉的表述中完成了对所见的阐释。美国摄影家C·杰贝兹·休斯(C.Jabez Hughes)1861年写的文章中曾指出"当艺术家对完全按照自然事物发生的方式去理解事物感到不满时,他们便利用排列组
[Abstract]:In general, photography is regarded as a mirror reflection and objective reproduction of the real world. In the construction of photographic schema, the relationship between image and its indicative idea is not a transformation, but a "registration", which highlights the myth of photography as a "natural brush". However, as soon as this objectivity is "chosen", the subjective element of human is involved, thus transcending the pure reproduction of nature and completing the interpretation of what is seen in the visual expression. The American photographer C. Jabez Hughes wrote an article in 1861 that states that "when artists are dissatisfied with the way in which natural things are understood, they use groups."
【作者单位】： 浙江财经大学艺术学院;
【分类号】：J405
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本文编号：2027452